This week we'll be looking at two songs developed with the Goo material in 1989 that ultimately didn't make the cut, though one got considerably further in the process.
In the early 90s, bootlegs began to appear featuring the 8-track demos that Sonic Youth recorded for Goo in November 1989. I believe the first was a 12" simply titled Goo Demos*, followed by CD editions titled Blow Job and Moo. They were sourced from cassettes that had either leaked or been openly shared, and use the working titles the band had given the tracks, such as "Corky" or "Bookstore", though "DV II" was always mislabeled "DU II". For some reason, the final track on these demos, a lovely instrumental that was nowhere to be found on the Goo album itself, would be identified as "Notorious Rockin' Lee". When the band countered these muddy bootlegs by issuing their own version from the master tapes on CD via their newly established Sonic Death fan club, the proper (but less exciting) title for that song was revealed: "Lee #2".
Presumably "Bookstore" (later fleshed out as "Mote") would have been "Lee #1", appearing in a full band arrangement along with the rest of the Goo finalists. The unused contender, "Lee #2", features only Steve and several tracks of Lee's guitar, with no vocals. The song was not fully realized in the demo stage, but was included none-the-less. Some tapes also included their cover of the Beach Boys tune "I Know There's A Answer", which was recorded during the same sessions (incidentally, Lee has cited the Beach Boys' Pet Sounds LP, and specifically "Let's Go Away For A While" as an inspiration for "Lee #2").
For years, this was the only studio version available. However, the band did record a completed version of it during the Goo sessions in early 1990, though it was ultimately left off the album and never released, even as a b-side. It seemed to be fully abandoned until the second leg of the North American Goo tour in October/November 1990, when it began to pop up in encores. Traditionally, the encores in 1990 (preceded by a tape of "Scooter & Jinx") would start with "My Friend Goo", which featured Thurston on bass and Kim on guitar. For a short period, they decided to do an entire encore in this configuration, following up "Goo" with a shaky take on "Lee #2" and closing with the always epic "Inhuman". The first known outing of this trio was on November 9th in Columbia, Missouri, though Lee does preface his tune by saying "This is another one of those new songs, we only tried it a couple times so far." suggesting that it may have made a previous appearance. Earlier in the set, before "The Bedroom", Thurston explains that "This is one of those songs Lee was talking about on the radio", so new songs may have been a topic of discussion during a radio interview that day, which I unfortunately don't have! Do you?
As a side note, earlier in the tour on October 15th, in Toronto, Ontario (when they filmed the "Disappearer" video), there was a power outage during the set and while the band waited for everything to get back to normal, they began toying with the idea of performing "Lee #2" as an instrumental. Lee, having prepared for "Mary-Christ" (the outage occurred a third of the way into the "Catholic Block"+"Mary-Christ"+"Kool Thing" block), began strumming the chords in the FFCCAA tuning. Once power was fully restored, Thurston even said "We were just about to actually play an instrumental that we remembered that we knew. Maybe we should do it anyway." Instead, they continued with "Mary-Christ" as planned...
The song was known to be played on November 9th in Columbia, November 11th in Memphis, November 15th in Charlottesville, November 16th in Chapel Hill, and November 20th in Tampa (the last known performance). Tapes from this leg of the tour are unfortunately less common (the year as a whole is very well documented!), but recordings exist for four of these five shows (the Memphis performance is acknowledged only by the existence of a paper set list, where the song is identified as "Lee #2" - the Charlottesville set list reads only "#2"). Even though the song had already been recorded in the studio, Lee would refer to it as a new song they were working on.
These November versions are interesting to hear, Lee's vocals are established and Kim's slidy guitar part appears throughout. Thurston's bass is harder to discern on these rough recordings, but sounds quite slidy too. Despite their low quality, these performances were legendary to me when I first started assembling the Concert Chronology in 1997 and discovered that they actually had played the song live (at the time, I think only Charlottesville and Chapel Hill were circulating, but I could be mistaken). Back then, there were no torrents, no practical methods of file sharing over the internet, and if you wanted to hear an obscure bootleg cassette you had to know who to ask and hopefully have something to offer them. While the Concert Chronology was largely constructed using the trade list of a collector named John Loughney (who I actually met in person a couple of months ago at some Pavement shows, which was pretty exciting after 25+ years of online communication! Although I've been pronouncing his name wrong for a quarter of a century...), I believe it was another longtime completionist Emmanuel Tremblay who I was finally able to pester into dubbing me a copy of "Lee #2 with vocals". If I recall correctly, I was even annoying enough to ask for just that single song from the show on a compilation with some other rarities, a particular inconvenience in the cassette tape trading days. Sorry!!
I forget which version it was, I think Charlottesville, but it blew my mind as did any Sonic Youth "rarity" in my teenage collector years. I dug the instrumental demo, but hearing Lee sing was fucking cool. For ages, that was it - the demo, and a pretty generated copy of a not-so-great recording of a live version. When I got my hands on a copy of Guido Chiesa's Sonic Life book, which was an official source of many otherwise unavailable Sonic Youth lyrics, I was surprised to find "Lee #2" included, and I could compare it to the live tape and (kinda) hear how it all matched up. Beyond that, I'd need to use my imagination. Until...
In 2005, the deluxe version of Goo was released, a 2-disc/4-LP set that contained a number of exciting offerings, including a remix of the entire 8-track demos, a remix of "The Bedroom" from the 11/03/90 Irvine show (discussed last week), a previously unknown demo of that same song, the "Goo Interview Soundsheet" flexi, and the most legendary holy grail of all: a finished version of "Lee #2" from the Goo sessions. Never bootlegged, never fully confirmed to exist, and finally available. In my opinion, it's a great take, similar to the demo with its electric/acoustic nature, with Lee's melodic vocal and Kim's spiky guitar now included, and even some organ and piano courtesy of producer Nicholas Sansano. Lee's vocals are augmented by J Mascis, who contributes his voice to a handful of Goo tunes. What's not present is the low end - Thurston's bass is completely absent. To help explain, let me quote the sonic soundman responsible for assembling the deluxe set with the band, Aaron Mullan:
"The song Lee #2, which had been included as an instrumental in the demos, also had been recorded during the album sessions and had been mixed along with the rest of the album, but had never been released. Two choice mixes existed, an ‘electric’ mix and an ‘acoustic’ mix. Listening to both of those mixes, neither seemed satisfying. Neither one really found the identity of the song. So we requested the multitracks from the Universal vault. When they arrived I understood the confusion better. Almost all 48 tracks available had been utilized. Not only was there a full electric band, and a full acoustic version overdubbed on that, but there were multiple spoken word tracks by Lee and Jad Fair, backing vocals by J Mascis, and multiple takes of each guitar.
After a couple of days of Lee, Steve, and me sorting through tracks during the day and Lee continuing work through the night, we got started mixing. There were so many possible mixes in those 48 tracks of stuff that we ended up doing one version using only bits not featured in the new final mix: Jad’s spoken word and a Thurston bass part. This mix ended up on the website on Mixtape #3 to illuminate some of the possibilities that didn’t get used. Mix choices were sent to Kim and Thurston, and eventually everyone picked the version that is on the record."
Indeed, the web-only Mix Tape #3 included a track titled "remix 8 bass and spoken" which puzzled me until I read Aaron's notes. You see, Thurston's bassline consists almost entirely of jagged pick scrapes, clean in the left channel and distorted in the right, with the only hint of a melody being long, wild slides chugging up and down the low E string during the song's chorus. It's an interesting idea for sure - other super-melodic Lee tunes like "Eric's Trip" or "Wish Fulfillment" would be given similar accompaniment by Kim and Thurston to try to "weird out" the relative straightforward nature of the songs, but I don't know...I'm glad they chose to omit the bass from the released mix of "Lee #2" (and from what I can hear it sounds like when they revisited the song in November for the handful of live attempts, Thurston may have been making more of an effort to play a little more than just "scrape scrape scrap scrape"). If you're curious to hear what the song could have sounded like, I've stacked both versions on top of each other, which you can hear an excerpt from here:
The song was written in the FFCCAA tuning, which Lee came up with in 1989 and used to write his excellent solo acoustic piece "Here". I think he also used it for some of the November 28th, 1989 solo gig at the Knitting Factory, which is the source of tracks 2 and 3 on his essential Scriptures of the Golden Eternity LP. It is probably most identifiable with "Lee #2" but it was also used for "Mary-Christ" and, if my ears are correct, our "bonus song" this week: "Isaac".
"Isaac" was another surprise that surfaced with the deluxe edition of Goo in 2005. It's an instrumental tune whose structure was never finalized, and though no 8-track demo exists, Lee was able to splice together some cassette rehearsal tapes from the band's Hoboken practice space to create a reasonable finished version for the deluxe edition. Another previously undocumented piece from these rehearsals was released as "Tuff Boyz", and while I rarely raise an eyebrow at the compositional genius of the collective force of Sonic Youth, that one is basically just a bunch of pick scrapes (not unlike Thurston's buried bass part on "Lee #2"). Both tracks are dated October 27th, 1989 in the deluxe liners.
Per Lee: "'Isaac' came from rehearsals in June. The name is a reference to Isaac Hayes. We called it our 'Shaft Song,' because it had a guitar part that really had that waka-waka Shaft thing going on. This version was edited together from a couple of nearly final takes. It was one of a few things we found on cassette that was pretty much a finished track. It was one of those songs we just didn't come back to." Thurston adds: "But 'Isaac' was just a jam. It was not intended to come out." (By the way, don't go looking for these quotes in the liners of the deluxe CD - it took me almost 20 years to realize that the CD booklet contains a heavily edited version of the text that comes with the LP box!)
I'll be honest, I included "Isaac" because I thought it would be fun to map out an outtake that wasn't previously transcribed. Having picked up on the FFCCAA tuning, I figured it would be easy enough to work out. The more I worked on it, the less confident I became - there's times I think I hear other notes in the mix, and when I noticed a seemingly open C note in Thurston's part, I gravitated towards ACCGG#C, and likewise lost confidence as I tried to piece it out. It could be EGDGED or something else entirely - and again, I don't think anyone's dying to recreate "Isaac", but I figured I'd include it anyway. I think the frankensteined nature of the recording could account for some jumpy notes here and there, but as always, I'd love to hear any comments or corrections.
For "Lee #2", I bizarrely tried tabbing it in EG#EG#EG# way back in the day, and only in 2010 did I finally update it to be in its very obvious, proper tuning of FFCCAA. I've touched it up slightly, and added Kim's part, which I assume is in the same tuning as "My Friend Goo" (by the way, though Kim's guitar doesn't enter until the 2nd verse, the November '90 live versions have her playing right off the bat). Enjoy! See you in a week or two...
A little side note on the Goo Demos vinyl bootleg - supposedly the art director for Experimental Jet Set, Trash and No Star pulled some of the cover photos used for each band member from various bootlegs, and this 12" is clearly the source for Steve's photo - some fun trivia that took up too much space at the start of the article!
"LEE #2"
LAYOUT
A - B - A - B - A - C - D - E - B - A - F
"ISAAC"
LAYOUT
A - B - C - D - E - B - F - G - H
Return to the Sonic Youth Guitar/Bass Tab Archive
KIM
EGDGED
RIGHT
THURSTON
bass
LEE
FFCCAA
LEFT/RIGHT
A SECTION 00:00-00:19
Lee plays:
A---2--2---2-2-0------------------
A---2--2---2-2-0------------------
C---2--2---2-2-0------------------ x 3
C---2--2---2-2-0---0-0-0--0-0-0---
F---2--2---2-2-0---0-0-0--0-0-0---
F---2--2---2-2-0---0-0-0--0-0-0---
A---2--2---3-2-0------------------
A---2--2---3-2-0------------------
C---2--2---2-2-0------------------ x 1
C---2--2---2-2-0---0-0-0--0-0-0---
F---2--2---2-2-0---0-0-0--0-0-0---
F---2--2---2-2-0---0-0-0--0-0-0---
B SECTION 00:19-00:35
Lee:
A--7--7-8-7--0-----------------5-6-5--2--2--2-3-2-3-2---
A--7--7-8-7--0-----------------5-6-5--2--2--2-3-2-3-2---
C--7--7-7-7--0-----------------5-5-5--2--2--2-2-2-2-2--- x 2
C--7--7-7-7--0--0-0---0-0-0-0--5-5-5--2--2--2-2-2-2-2---
F--7--7-7-7--0--0-0---0-0-0-0--5-5-5--2--2--2-2-2-2-2---
F--7--7-7-7--0--0-0---0-0-0-0--5-5-5--2--2--2-2-2-2-2---
Thurston's bassline (not used on the record, available only on Mix Tape #3), is something like:
G---------------------
D---------------------
A---------------------
E---2\\\\\\19//////---
It's basically one long slide from low F# to a high B, picking while he slides back and forth
in a 1-2-3-4 1-2-3-4 pattern. The rest of his part is all rhythmic pick scrapes.
A SECTION 00:35-00:52
Lee plays:
A---2--2---2-2-0------------------2--2---3-2-0------------------
A---2--2---2-2-0------------------2--2---3-2-0------------------
C---2--2---2-2-0------------------2--2---2-2-0------------------ x 2
C---2--2---2-2-0---0-0-0--0-0-0---2--2---2-2-0---0-0-0--0-0-0---
F---2--2---2-2-0---0-0-0--0-0-0---2--2---2-2-0---0-0-0--0-0-0---
F---2--2---2-2-0---0-0-0--0-0-0---2--2---2-2-0---0-0-0--0-0-0---
Kim sounds like she might be using a slide for her part, which is something like this:
D-------------------------------------------------------
E---10-10--8\10-10-10---10--10-10--10-10-10-10-\12-10---
G-------------------------------------------------------
D-------------------------------------------------------
G-------------------------------------------------------
E-------------------------------------------------------
D------------------------------------------------------------
E---10-10-10--10-10-10-10-10---10-10-10--8--10-10-10\12-10---
G------------------------------------------------------------
D------------------------------------------------------------
G------------------------------------------------------------
E------------------------------------------------------------
B SECTION 00:52-01:10
Kim is silent.
A SECTION 01:10-01:27
Kim plays:
D--------------------------------------------------------
E---10--10-10--8\10-10-\12--10-8---10--10-10-\10-10-10---
G--------------------------------------------------------
D--------------------------------------------------------
G--------------------------------------------------------
E--------------------------------------------------------
D---------------------------------------------------------------
E---10--10-10--8--10\12-10/8-8---10-10-8\10-10--10-10/6-6-\12---
G---------------------------------------------------------------
D---------------------------------------------------------------
G---------------------------------------------------------------
E---------------------------------------------------------------
C SECTION 01:27-01:44
Lee:
A--5--5--5-5-5-9--9-9--9-9-9-9---
A--5--5--5-5-5-9--9-9--9-9-9-9---
C--5--5--5-5-5-9--9-9--9-9-9-9--- x 4
C--5--5--5-5-5-9--9-9--9-9-9-9---
F--5--5--5-5-5-9--9-9--9-9-9-9---
F--5--5--5-5-5-9--9-9--9-9-9-9---
Kim:
D--------------------------------------------------------------------------------------------------
E---(12)---10---10--10-10-8\10--10-10\12-12-10---10--10-10-\10-10-10----10--10-10-8\10--10\-12-8---
G--------------------------------------------------------------------------------------------------
D--------------------------------------------------------------------------------------------------
G--------------------------------------------------------------------------------------------------
E--------------------------------------------------------------------------------------------------
D SECTION 01:44-02:18
Lee:
A--------12--------------15---- --12----15--
A-----11----11--------14---14-- --11----14-- listen for timing
C---9-------------12----------- so the ---9----12--
C---9-------------12----------- shapes ---9----12-- play 4 times
F---9-------------12----------- would be: ---9----12--
F---9-------------12----------- ---9----12--
Kim comes in on the 3rd time:
D---------------
E----14-15/14--- -> fuzz noise x 4
G---------------
D---------------
G---------------
E---------------
E SECTION 02:18-02:26
Lee:
A--10---
A---9---
C---8--- build up on this chord then back into the chorus!
C---7---
F---0---
F---0---
B SECTION 02:26-02:43
Kim:
D----------------------------------------------------------
E---10--10-10--10--10-10-10-10----10--10-10--10-10--12-8---
G----------------------------------------------------------
D----------------------------------------------------------
G----------------------------------------------------------
E----------------------------------------------------------
D------------------------------------------------------------
E---10--10-10-8\10--10\12-12---10--10-10--12-10-8\10-10-10---
G------------------------------------------------------------
D------------------------------------------------------------
G------------------------------------------------------------
E------------------------------------------------------------
A SECTION 02:43-03:00
Kim:
D---------------------------------------------------------------------------------------------------
E---10--12-10--8\10-10-10-10---10--10--12-10-8\10---10-10-10--10-10-10-10---10--10-10-8--8\10-\12---
G---------------------------------------------------------------------------------------------------
D---------------------------------------------------------------------------------------------------
G---------------------------------------------------------------------------------------------------
E---------------------------------------------------------------------------------------------------
F SECTION 03:00-03:31
Lee:
A---0-----3-----
A---0-----0-----
C---2-----0----- x 4
C---2-----0-----
F---2-----0-----
F---2-----0-----
w/ a high overdub:
A---12----15-----
A---12----15-----
C---14----12-----
C---14----12-----
F----------------
F----------------
Kim:
D--------------------------------------------------------------
E---10-------10--10-8-10\12-------15-15---8-8-----15--15-8-----
G--------------------------------------------------------------
D--------------------------------------------------------------
G--------------------------------------------------------------
E--------------------------------------------------------------
text + tab by Chris Lawrence
KIM
EADG
CENTER
THURSTON
ACCGG#C
RIGHT
LEE
FFCCAA
LEFT
A SECTION 00:11-00:29
Thurston starts with:
C--------------------------------------------------------------------------------
G#-------------------------------------------------------------------------------
G----------------------------0--0--0--0-0-0-0-0--0--0--0--0-0-0-0-0--0--0--0--0--
C----------------------------7--7--7--7-7-7-7-7--7--7--7--7-7-7-7-7--7--7--7--7--
C----------------------------7--7--7--7-7-7-7-7--7--7--7--7-7-7-7-7--7--7--7--7--
A---*7*----------*7*-------------------------------------------------------------
^^^ shake w bar ^^^^^^^ ^^^^^ light palm mute on this part ^^^^^
Lee plays:
A------------------------------------*7*~~- w/ bar
A---7---------------------------*7*--------
C------------------------------------------
C-----------------*5*----------------------
F------------*7*--------*7*--*4*-----------
F------------------------------------------
Kim:
G-------------------
D------------------- x 5
A-------------------
E--\10-10----10-----
B SECTION 00:30-00:48
Thurston:
C---21------------------------------------------------------------------------
G#----------------------------------------------------------------------------
G------21-21-19^21-19^21-21-21-21-21---19^21-19^21-19^21-21-21--21-21-21-21--- play variation x 4
C-----------------------------------------------------------------------------
C-----------------------------------------------------------------------------
A-----------------------------------------------------------------------------
end on something like:
C-------
G#------
G--21---
C---0---
C---0---
A-------
Lee plays:
A---19---
A---19--- use a slide at an angle to cover these frets, and strike the chord at the start of each bar
C---21---
C---21--- sometime he moves it around a bit
F--------
F--------
end on:
A---0---
A---0---
C---0---
C---0---
F---0---
F---0---
Kim:
G-------------------
D------------------- x 5
A-------------------
E--\10-10----10-----
C SECTION 00:48-01:03
Thurston:
C------------------------------- -----------------
G#------------------------------ -----------------
G---7--7--7--7-7-7-7-7--7-7-7--- variation x 3 ---7-7-7-7-7br---
C------------------------------- -----------------
C------------------------------- -----------------
A------------------------------- -----------------
end on something like:
C-------
G#------
G---0---
C---7---
C---7---
A---0---
Lee plays:
A---5-5-5-5-5--5-5-5------5-5-5-5-5-5-5-5-5---
A---5-5-5-5-5--5-5-5------5-5-5-5-5-5-5-5-5---
C---------------------------------------------
C---------------------------------------------
F---------------------------------------------
F---------------------------------------------
end on something like:
A---4-------------------0------
A---4-------------------0------
C---7-------------------0------
C---4--------------------------
F---4--------------------------
F---4--------------------------
Kim:
G-------------------
D------------------- x 4
A-------------------
E--\10-10----10-----
D SECTION 01:03-01:19
Thurston:
C--------------
G#-------------
G-------------- sustain harmonic, shake w/ bar slightly second time
C--------------
C-------------- x 2
A---*7*--------
Lee plays:
A---5-5-5-5-5--5-5-5---5-5-5-5-5-5--5-5-5---
A---5-5-5-5-5--5-5-5---5-5-5-5-5-5--5-5-5---
C-------------------------------------------
C-------------------------------------------
F-------------------------------------------
F-------------------------------------------
end on something like:
A---------v4-------------10-----
A---------v4- w/ bar ----10-----
C---------v4--------------7-----
C---4---------------------7-----
F---4---------------------7-----
F---4---------------------7-----
Kim:
G-------------------
D------------------- x 4
A-------------------
E--\10-10----10-----
E SECTION 01:19-01:26
Thurston doesn't play during this part.
Lee plays:
A---12-12-12-12-12-12-12-12-12-12---
A---12-12-12-12-12-12-12-12-12-12--- etc
C----9--9--9--9--9--9--9--9--9--9---
C----9--9--9--9--9--9--9--9--9--9---
F-----------------------------------
F-----------------------------------
Kim:
G-------------------
D------------------- x 2
A-------------------
E--\10-10----10-----
B SECTION 01:26-01:41
Thurston:
C---21------------------------------------------------------------------------
G#----------------------------------------------------------------------------
G------21-21-19^21-19^21-21-21-21-21---19^21-19^21-19^21-21-21--21-21-21-21--- play variation x 4
C-----------------------------------------------------------------------------
C-----------------------------------------------------------------------------
A-----------------------------------------------------------------------------
Lee plays:
A----------v3--- w/ bar
A----------v3---
C----------(0)--
C----------(0)--
F---4------(0)--
F---4-----------
then:
A---5-5-5-5-5-5-5--5-5-5-5-5-5-5---
A---5-5-5-5-5-5-5--5-5-5-5-5-5-5--- etc.
C---2-2-2-2-2-2-2--2-2-2-2-2-2-2---
C---2-2-2-2-2-2-2--2-2-2-2-2-2-2---
F----------------------------------
F----------------------------------
Kim:
G-------------------
D------------------- x 4
A-------------------
E--\10-10----10-----
F SECTION 01:41-01:56
Thurston:
C---------------------------------------------------
G#--------------------------------------------------
G---------------------------------------------------
C---9-9-9------------------------------------------- x 8
C---9-9-9-------------------------------------------
A---0-0-0-*5*-*5*-*5*-*5*-*5*-*5*-*5*-*5*-*5*-*5*---
Lee plays:
A---12-12-12-12-12-12-12-12-12-12--- w/ wah
A---12-12-12-12-12-12-12-12-12-12---
C----9--9--9--9--9--9--9--9--9--9--- etc
C----9--9--9--9--9--9--9--9--9--9---
F-----------------------------------
F-----------------------------------
Kim:
G----------------------------------
D----------------------------------
A---12-12-12---12-12-12-12-12-12--- x 8
E----------------------------------
G SECTION 01:56-02:11
Thurston ends on something like:
C-------
G#------
G---0---
C---7---
C---7---
A---0---
Then:
C-----------------------------------------------7-5-7~~--
G#-------------------------------------------------------
G---7--7--7--7-7-7-7-7-7br~~~-------5-7------------------
C--------------------------------------------------------
C--------------------------------------------------------
A--------------------------------------------------------
Lee plays:
A---12/10-- w/ wah --0---
A---12/10-- --0---
C---------------------0--- shake w/ bar
C---------------------0---
F---------------------0---
F---------------------0---
A---12-12-12-12-12-12-12-12-12-12---
A---12-12-12-12-12-12-12-12-12-12---
C----9--9--9--9--9--9--9--9--9--9--- etc
C----9--9--9--9--9--9--9--9--9--9---
F-----------------------------------
F-----------------------------------
Kim:
G-------------------
D------------------- x 4
A-------------------
E--\10-10----10----- (the first time out of the "heavy part", she only plays the first 2 notes)
H SECTION 02:11-02:32
Thurston:
C---7---7--------7---7---
G#----------5------------
G------------------------
C------------------------
C------------------------
A------------------------
Pause and then come back at 2:21:
C--------------------------------------------------21br~~--
G#---------------------------------------------------------
G----------------------------------------------------------
C---9-----4-4----------------------------------------------
C---9-----4-4----------------------------------------------
A---0-----0-0--*5*-*5*-*5*-*5*-*5*-*5*-*5*-*5*-------------
Lee plays:
A---7~~----4-------0------------
A---7~~----4-------0------------
C----------4-------0---*7*-*7*-- all w/ bar except harmonics
C----------4-------0---*7*-*7*--
F----------4-------0------------
F----------4-------0------------
A------------ ---7--- -------
A------------ ---7--- -------
C----9------- ---9--- ---0---
C----9~~~~--- hold + let feedback then: ---9--- end on: ---0---
F---(0)------ ------- ---0---
F------------ ------- ---0---
Kim:
G-------------------
D------------------- x 5
A-------------------
E--\10-10----10-----
text + tab by Chris Lawrence