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Old 07.30.2013, 07:06 PM   #17221
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i actually have forgotten what seBBen was about lol

and i certainly recall no meditation


 


but he was played by colbert.

NO????
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Old 07.30.2013, 08:18 PM   #17222
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Originally Posted by sonic sphere
http://www.youtube.com/watch?v=R_K6971WmAs

so that was his downfall, rappin for the ninjaz

Yes, but who else at the time could they fill for such a role?
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Old 07.30.2013, 08:25 PM   #17223
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Originally Posted by tw2113
Yes, but who else at the time could they fill for such a role?

 
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Old 07.30.2013, 11:31 PM   #17224
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I couldn't stop laughing for any particular reason. It was everything you expect from a Wes Anderson flick, the absurd caricatures, the biting satire, the meaningless novelties exaggerated, the endless dead panning, only with flawless cinematography and a surprisingly pensive Bruce Willis drinking beer with a kid discussing the meanings of life. Of course, I was disappointed with what they did to Bill Murray, I haven't felt that bad for a character of his since Lost in Translation.. I'm glad I went into it knowing absolutely nothing about it because I might not have watched it otherwise. Also it was great to finally see a Wes Anderson movie without the Wilson brothers, as much as I loved The Royal Tennanbaums and enjoyed The Darjeeling Express tremendously, Anderson needed a change of pace.
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Old 07.31.2013, 08:00 AM   #17225
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I absolutely don't get Wes Anderson films. They never make me laugh. In fact they always depress me a bit. Anyone else?
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Old 07.31.2013, 08:26 AM   #17226
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I've only seen Royal Tenenbaums which just completely left me cold. I didn't hate it, just, as you say, didn't get it.

Quote:
Originally Posted by SuchFriendsAreDangerous
I haven't felt that bad for a character of his since Lost in Translation.

You mean the character who gets paid a fortune to travel the world, stay in luxury hotels and has a fling with Scarlett Johansson? My heart bleeds.
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Old 07.31.2013, 08:32 AM   #17227
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Crazy Heart

I like pretty much everything about this movie but can't help feeling that The Wrestler did the whole thing a lot better.
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Old 07.31.2013, 08:35 AM   #17228
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Wrestler was great.

I love all wes anderson films. They are good stuff.

Lost in Translation was made by Sofia Coppola, who only knows super rich super powerful people and their problems.
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Old 07.31.2013, 01:19 PM   #17229
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Quote:
Originally Posted by demonrail666
I've only seen Royal Tenenbaums which just completely left me cold. I didn't hate it, just, as you say, didn't get it.



You mean the character who gets paid a fortune to travel the world, stay in luxury hotels and has a fling with Scarlett Johansson? My heart bleeds.

Dude, maybe we didn't watch the same movie, because you're describing George Clooney's Up in the Air more so Lost In Translation. Bob (Bill Murray's character) came across as shattered and defeated like the dude in American Beauty. He seemed somber, bored, regretful. His fling seemed both exciting and yet depressing, because it points to how ephemeral our human relationships can be. They can fill us up with joy, but this is temporal.

As to Moonrise Kingdom, I'm more in love with upon reflection. Its like, all the childish absurdities and biting dead-panning in Wes Anderson movies suddenly make so much more sense when acted through middle-school aged actors!! I hope he continues to make these kinds of movies, I dare say it will work better than any Wilson brother ever could! Whenever I watch his movies, like Tennenbaums or Darjeeling Limited the characters come across as blatantly childish in their behavior, and the trademark dead-panning only seems to solidify this effect. When you see this same kind of acting and writing but played through kids, suddenly it seems so much more apt.
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Old 07.31.2013, 11:35 PM   #17230
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Quote:
Originally Posted by foreverasskiss
it's oddly familar to me like my grandfathers house. his shit can be too nostalgic and 60's, 70's New England rich for me, but hey i was also some 13 yr old relaxing to Stones records in my attic once. prepping for Brown Uni.

Nostalgia is very much a part of Wes Anderson flicks, its why my pops especially enjoyed Moonrise Kingdom because essentially that was his life (not literally the plot, but the setting). Also Tennenbaums was satire of rich, the rest of his flicks aren't just about rich people, though I agree, they're not often poor.
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Old 08.01.2013, 08:36 AM   #17231
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Quote:
Originally Posted by SuchFriendsAreDangerous
Dude, maybe we didn't watch the same movie, because you're describing George Clooney's Up in the Air more so Lost In Translation. Bob (Bill Murray's character) came across as shattered and defeated like the dude in American Beauty. He seemed somber, bored, regretful. His fling seemed both exciting and yet depressing, because it points to how ephemeral our human relationships can be. They can fill us up with joy, but this is temporal.

Haha, you're obviously right. I suppose I just see Bill Murray's character as someone whose problems are those a lot of us wouldn't mind having, in place of those that we do have. At least he has the money to help him change if he wants to.
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Old 08.01.2013, 09:42 AM   #17232
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money does not help when you have to live up to other's expectations in order to maintain that money....
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Old 08.01.2013, 10:14 AM   #17233
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Sure. So he can leave his job and he'd have his freedom and probably enough money to live quite comfortably for the rest of his days. I'm not saying I envy the guy but in the big scheme of things he ranks pretty low on my list of people in movies that I feel sorry for.
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Old 08.01.2013, 10:37 AM   #17234
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loneliness and disconnection are tough though...

I feel sorry for John Rambo.
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Old 08.01.2013, 12:10 PM   #17235
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I feel sorry for John Rambo.

On that we agree
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Old 08.03.2013, 08:22 AM   #17236
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I'm planning on watching Only God Forgives because the coolest actor in the world, Ryan Gosling, is in it and it's directed by the same guy who directed the superb Drive.
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Old 08.03.2013, 01:12 PM   #17237
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Old 08.03.2013, 04:23 PM   #17238
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Old 08.04.2013, 06:19 AM   #17239
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Old 08.04.2013, 01:22 PM   #17240
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i'm trying to finish watching amos poe's "unmade beds" but it's the most boring, pretentious, humorless piece of shit student film i've watched in centuries. i mean, no, okay, for a student film, whatever, alright, but why this gets hailed as anything other than that, is the hype machinery of the new york underground like that great propaganda piece that is "blank city" (good movie, but damn, it lies).

yes, some good things came out of this era i suppose (jim jarmusch), but this isn't one of them. ugh! the director likes to enumerate books and show what a smart boy he is. also this whole "french" movie could have been funny instead of--ogh. i've put it at double speed now so it ends already. quel fucking dull!

edit: looks like they run out of film near the end and now it's a bunch of stills.

please kill me.



 


--

edit: it's finished! at last! worst movie dialogue ever!

the music w/ the end credits is pretty good actually

"fin". LOL.
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