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Old 09.27.2012, 02:01 PM   #16381
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Quote:
Originally Posted by floatingslowly
Last Days Here - story of Bobby Liebling, lead singer of Pantagram

Wow...

I had no idea such a thing even existed. Definitely a must see.
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Old 09.27.2012, 02:05 PM   #16382
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Quote:
Originally Posted by Murmer99
I don't know what that first bit means, but will do ASAP

it's, i think, the best spelling it could get out of google from "i will fuck you up" in afrikaans. it's, apparently, a common insult there, though it sounds to me more like a threat than an insult proper. anyway i'm not making threats, the phrase just came up in my brain when i read you hadn't seen down by law. THAT MOVIE IS AWESOME. it's his best movie of the XX century and probably ever.
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Old 09.27.2012, 02:28 PM   #16383
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Old 09.27.2012, 02:32 PM   #16384
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Quote:
Originally Posted by demonrail666
 


There Will Be Blood

I like the first couple of thirds of this film a lot but it just becomes a bit ridiculous towards the end, as DD Lewis starts to slowly turn into Klaus Kinski in a Herzog movie. It's like Boogie Nights with Alfred Milona in every scene. Those kinds of performances work best for me in brief bursts rather than dominating an entire film. It's the same problem Scorsese had casting Lewis in Gangs of New York. It all just becomes a vehicle for him to show off his acting chops. Definitely my least favourite PT Anderson film so far - given that I've not yet seen The Master.

No way! It's easily one of my favorite films of all time. Daniel Day Lewis is just brilliant all the way through, well you could say the whole cast is tbh.
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Old 09.27.2012, 02:59 PM   #16385
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Quote:
Originally Posted by demonrail666
I had no idea such a thing even existed. Definitely a must see.
Because I am 101% ALL MAN, I have no problem fully-admitting that it made me cry.

I've had to tell many a sensitive soul "it's the most well-done documentary that I've seen in ages and you should never watch it".

My stomach just flipped thinking about Bobby's rolled-up sleeves.
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Old 09.28.2012, 06:09 AM   #16386
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I have seen Discreet Charm but only once, a long time ago. It didn't leave much of an impression on me, though. I should probably watch it again to see if I can get more out of it this time. As I said, it's frustrating because Bunuel is a filmmaker I have masses of respect for, far more than a number of directors whose films I actually prefer.
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Old 09.28.2012, 07:05 AM   #16387
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Bunuel is the second greatest director of all time because nothing he made totally sucked. Ever. It seems like a statistical impossibility, but there you go.
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Old 09.28.2012, 07:49 AM   #16388
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Aguirre Wrath of God...again.


everytime I watch it I want to set off on a raft and die slowly.
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Old 09.28.2012, 01:02 PM   #16389
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Quote:
Originally Posted by Rob Instigator
Aguirre Wrath of God...again.


everytime I watch it I want to set off on a raft and die slowly.


i sometimes walk around for days unable to forget that pan flute melody they play
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Old 09.28.2012, 03:11 PM   #16390
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I showed that flick to my wife and she got so depressed.

all the movies I love (aguirre, glenngarry glennross, bridge on river kwai, etc.) she finds soul-crushing.

women...
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Old 09.28.2012, 03:52 PM   #16391
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Dark Horse

One of those films where about twenty seconds in I knew I wasn't gonna like it. I watched it to the end anyway, but only because it's pretty short. Christ knows how it got such good reviews.
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Old 09.28.2012, 05:55 PM   #16392
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beasts of the southern wild.

i really really liked it.
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Old 09.28.2012, 06:58 PM   #16393
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Quote:
Originally Posted by Murmer99
Who do you think is the best?


Ingmar Bergman. I really think he's one of the very few filmmakers who centuries from now will be held in as much esteem as the other truly great artists of the 20th century (Stravinsky, Picasso, Joyce, etc.)

Yeah, he used the cinema to pose the deepest, most eternal questions a human can ask.

Yeah, he made more masterpieces than I can count.

Yeah, his technical prowess is peerless. I mean, he's a DIRECTOR. Every shot means something, and every frame is loaded with information delivered as economically and inventively as possible. He's unquestionably a master at the craft.

But for me it's all about the mood. That's it. There's a mood to Bergman's films that no other filmmaker's works can evoke in me. However dour, brutal and humorless his world can sometimes be, it's an oddly comfortable world for me to inhabit.
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Old 09.29.2012, 04:43 PM   #16394
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Quote:
Originally Posted by demonrail666
 


There Will Be Blood

I like the first couple of thirds of this film a lot but it just becomes a bit ridiculous towards the end, as DD Lewis starts to slowly turn into Klaus Kinski in a Herzog movie. It's like Boogie Nights with Alfred Milona in every scene. Those kinds of performances work best for me in brief bursts rather than dominating an entire film. It's the same problem Scorsese had casting Lewis in Gangs of New York. It all just becomes a vehicle for him to show off his acting chops. Definitely my least favourite PT Anderson film so far - given that I've not yet seen The Master.
Yes, I hated the end.
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Old 09.29.2012, 04:45 PM   #16395
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5.5/10
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Old 09.29.2012, 05:47 PM   #16396
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1. The Master- probably the film of the year...Writer-director Paul Thoms Anderson has made the father-son relationship complex a recurring theme in many of his films, whether subjugated within his multi-storyline narrative ("Magnolia") or tangentially within genre ("Hard Eight", "Boogie Nights"), but this latest film may be his most pointed and raw effort yet. From the first time stunted, angry seaman Freddy Quell (Joaquin Phoenix) and learned doctor Lancaster Dodd (Phillip Seymour Hoffman) meet, the overtures of the father-son relationship are overt and tense in the way Dodd says "alright..." in that fatherly tone of a man siting behind a large desk, patiently accepting his sulking son's presence either good or bad. And from there, "The Master" gels into a sublime series of scenes where father and prodigal son connect, disconnect, argue, love and work through repressed emotions caused by post-war stress. For those that have called "The Master" pointless, I humbly disagree. Not only is it probably one of the most touching examinations of the push-and-pull that separates and joins people, but it reigns as a subtle miracle of the three act structure, revealing everything in small glances and a technical cinematic prowess that feels unmatched in current cinema. I could go on all day about this....

2. Nazi Love Camp 27- ehh I love Nazisploitation, but this is one terrible movie.

3. Killer Joe- fantastic, ugly and brutally funny

4. Kill List- another fave of the year so far. Director Ben Wheatley's cocktail mix of a film tries its hand at three different genres, each one more terrifying and disturbing than the next, and establishes him as a great talent to watch. The less one knows about this film, the better.

5. For old times sake.... purchased the Blu-Ray of "All the President's Men", Fuck, now that's a great film!
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Old 09.30.2012, 03:37 PM   #16397
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I've not seen The Master yet but the father-son thing does seem to be a recurring theme with PTA. The only film that doesn't seem to deal with it at all is Punch-Drunk Love.
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Old 10.02.2012, 02:00 PM   #16398
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Has anyone been to see Holy Motors? Hoping to see it on Saturday. It could be an interesting one that's for sure.
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Old 10.02.2012, 04:14 PM   #16399
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Chinatown
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Old 10.02.2012, 06:35 PM   #16400
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