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Old 09.28.2012, 07:49 AM   #16301
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Aguirre Wrath of God...again.


everytime I watch it I want to set off on a raft and die slowly.
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Old 09.28.2012, 01:02 PM   #16302
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Originally Posted by Rob Instigator
Aguirre Wrath of God...again.


everytime I watch it I want to set off on a raft and die slowly.


i sometimes walk around for days unable to forget that pan flute melody they play
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Old 09.28.2012, 03:11 PM   #16303
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I showed that flick to my wife and she got so depressed.

all the movies I love (aguirre, glenngarry glennross, bridge on river kwai, etc.) she finds soul-crushing.

women...
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Old 09.28.2012, 03:52 PM   #16304
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Dark Horse

One of those films where about twenty seconds in I knew I wasn't gonna like it. I watched it to the end anyway, but only because it's pretty short. Christ knows how it got such good reviews.
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Old 09.28.2012, 05:55 PM   #16305
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beasts of the southern wild.

i really really liked it.
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Old 09.28.2012, 06:58 PM   #16306
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Originally Posted by Murmer99
Who do you think is the best?


Ingmar Bergman. I really think he's one of the very few filmmakers who centuries from now will be held in as much esteem as the other truly great artists of the 20th century (Stravinsky, Picasso, Joyce, etc.)

Yeah, he used the cinema to pose the deepest, most eternal questions a human can ask.

Yeah, he made more masterpieces than I can count.

Yeah, his technical prowess is peerless. I mean, he's a DIRECTOR. Every shot means something, and every frame is loaded with information delivered as economically and inventively as possible. He's unquestionably a master at the craft.

But for me it's all about the mood. That's it. There's a mood to Bergman's films that no other filmmaker's works can evoke in me. However dour, brutal and humorless his world can sometimes be, it's an oddly comfortable world for me to inhabit.
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Old 09.29.2012, 04:43 PM   #16307
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Originally Posted by demonrail666
 


There Will Be Blood

I like the first couple of thirds of this film a lot but it just becomes a bit ridiculous towards the end, as DD Lewis starts to slowly turn into Klaus Kinski in a Herzog movie. It's like Boogie Nights with Alfred Milona in every scene. Those kinds of performances work best for me in brief bursts rather than dominating an entire film. It's the same problem Scorsese had casting Lewis in Gangs of New York. It all just becomes a vehicle for him to show off his acting chops. Definitely my least favourite PT Anderson film so far - given that I've not yet seen The Master.
Yes, I hated the end.
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Old 09.29.2012, 04:45 PM   #16308
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5.5/10
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Old 09.29.2012, 05:47 PM   #16309
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1. The Master- probably the film of the year...Writer-director Paul Thoms Anderson has made the father-son relationship complex a recurring theme in many of his films, whether subjugated within his multi-storyline narrative ("Magnolia") or tangentially within genre ("Hard Eight", "Boogie Nights"), but this latest film may be his most pointed and raw effort yet. From the first time stunted, angry seaman Freddy Quell (Joaquin Phoenix) and learned doctor Lancaster Dodd (Phillip Seymour Hoffman) meet, the overtures of the father-son relationship are overt and tense in the way Dodd says "alright..." in that fatherly tone of a man siting behind a large desk, patiently accepting his sulking son's presence either good or bad. And from there, "The Master" gels into a sublime series of scenes where father and prodigal son connect, disconnect, argue, love and work through repressed emotions caused by post-war stress. For those that have called "The Master" pointless, I humbly disagree. Not only is it probably one of the most touching examinations of the push-and-pull that separates and joins people, but it reigns as a subtle miracle of the three act structure, revealing everything in small glances and a technical cinematic prowess that feels unmatched in current cinema. I could go on all day about this....

2. Nazi Love Camp 27- ehh I love Nazisploitation, but this is one terrible movie.

3. Killer Joe- fantastic, ugly and brutally funny

4. Kill List- another fave of the year so far. Director Ben Wheatley's cocktail mix of a film tries its hand at three different genres, each one more terrifying and disturbing than the next, and establishes him as a great talent to watch. The less one knows about this film, the better.

5. For old times sake.... purchased the Blu-Ray of "All the President's Men", Fuck, now that's a great film!
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Old 09.30.2012, 03:37 PM   #16310
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I've not seen The Master yet but the father-son thing does seem to be a recurring theme with PTA. The only film that doesn't seem to deal with it at all is Punch-Drunk Love.
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Old 10.02.2012, 02:00 PM   #16311
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Has anyone been to see Holy Motors? Hoping to see it on Saturday. It could be an interesting one that's for sure.
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Old 10.02.2012, 04:14 PM   #16312
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Chinatown
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Old 10.02.2012, 06:35 PM   #16313
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Old 10.02.2012, 11:13 PM   #16314
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Old 10.03.2012, 07:59 AM   #16315
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Re: The Master, is their relationshiop a father/son relationship? I did not think the characters were related.

Re: Hour of The Wolf, I watched 30 mins of it and got bored. Will need to rewatch.
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Old 10.03.2012, 08:54 AM   #16316
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Quote:
Originally Posted by Rob Instigator
Re: Hour of The Wolf, I watched 30 mins of it and got bored. Will need to rewatch.

i love bergman, but i did too. returned it to netflix unwatched.
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Old 10.03.2012, 12:40 PM   #16317
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i honestly fell asleep so im not making it up or issuing critical judgments... i just fell the fuck asleep!

Quote:
Originally Posted by Murmer99
Watch it again, you fucks!

okay, okay.... maybe on a sunday morning or something, after a double coffee... good point about halloween. will make effort.
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Old 10.03.2012, 01:38 PM   #16318
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I will definitely go back to it. I've loved several Bergman flicks.

What happeend is that nothing in the first 30 minutes made me care a goddamn about either of the characters. when that happens I tune out.
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Old 10.03.2012, 10:02 PM   #16319
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Quote:
Originally Posted by Rob Instigator
Re: The Master, is their relationshiop a father/son relationship? I did not think the characters were related.

Re: Hour of The Wolf, I watched 30 mins of it and got bored. Will need to rewatch.




I feel it absolutely is... not a literal father-son but figural one.
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Old 10.04.2012, 08:25 AM   #16320
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Bergman's pace may be slow sometimes, but it is deliberate, like a metronome set to 80 or so.

Trust him. He's a master. He will reward your patience.

And that opening with Liv . . . How can you look at that face and not care what happens? (Or has happened, rather.)

HOUR is a great film, and funnily enough, not nearly his best.
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