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Old 06.11.2012, 07:57 AM   #16161
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Old 06.11.2012, 08:04 AM   #16162
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And, to bring down the level of intellect:

 


I was addicted to these films as a kid. And as cheesy as this was, I am still terrified by it even now. Dead kids on tricycles ~shivers~
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Old 06.11.2012, 08:07 AM   #16163
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lol.

That's probably my favorite Nightmare on Elm Street actually. Not particularly a big fan though.


 
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Old 06.11.2012, 08:14 AM   #16164
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I can't recall if it's 3 or 4 in which puppet strings are ripped out of this suicidal kid's arms. Awesome.
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Old 06.11.2012, 08:57 AM   #16165
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Prometheus was a let-down.

At least Howard the Duck had Lea Thompson's panties. So....soft. so....pink.
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Old 06.11.2012, 01:00 PM   #16166
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Quote:
Originally Posted by truncated
I can't recall if it's 3 or 4 in which puppet strings are ripped out of this suicidal kid's arms. Awesome.

Its NOES 3, and I watched that on tv this weekend as well. I remember it fondly for being the one with breasts in it. Although, I think there is a topless girl in "Freddy's Revenge" but that movie is awful.
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Old 06.11.2012, 01:13 PM   #16167
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Quote:
Originally Posted by floatingslowly
Prometheus was a let-down.

At least Howard the Duck had Lea Thompson's panties. So....soft. so....pink.


I was invited to go watch it tomorrow...but I might choose sleep instead.
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Old 06.11.2012, 02:28 PM   #16168
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Quote:
Originally Posted by floatingslowly
Prometheus was a let-down.


I disagree, but I also wasn't expecting anything spectacular.
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Old 06.11.2012, 03:07 PM   #16169
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NOES 3 is easily my favorite in the series. Then the original, and then Wes Craven's New Nightmare - it was such a refreshing change of pace for the franchise, I thought.

I think NOES reached it's ultimate low in the one where Roseanne Barr and Tom Arnold make a not-so-subtle cameo. Part 6 I think? That was lame.

Will be seeing Prometheus with my dad, this father's day.
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Old 06.11.2012, 04:57 PM   #16170
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Quote:
Originally Posted by Pelle
 


Never seen this one before actually, and I'm a bit a shamed for it, but I saw it the other day and I think it was fuckin super!
4/5.


Aha! Awesome!! I think Brad Pitt is my absolute favorite actor ever. And it's not because his pelvic muscles are cut from petrified canyon rock and his abs are as supple as a strip of bubble wrap - but because he's just a fan-fucking-tastic actor.

I just watched SNATCH last night. Third time through. This time I used the subtitle option on Netflix, and you know what? Pretty damn good movie if you know what the hell is being said! (I love how the Pikeys are "impossible to understand" to the main characters, who are impossible to understand to anyone watching, making the Pikeys doubly incomprehensible to us!)
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Old 06.11.2012, 06:34 PM   #16171
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Originally Posted by Genteel Death
I was in Kings Cross recently and it's progressively being turned into John Carpenter's worst nightmare. I like the interiors of The Guardian's building, which contain a pretty sweet auditorium and art gallery, but you're right, no respectable low-life would hang around in that area now. Plus, I got this feeling that parts of the scenery have been bitten off by an enormous entrepreneurial mouth.

I tend to think that big train stations in major cities have a duty to be as seedy as possible. They should always make anyone who's just arrived feel a bit apprehensive about what they're in for. Same as I think every major shopping area should have its little crowd of junkies, like the ones that used to hang around all day outside the Astoria or opposite, on the stairs going down to TCR station. They've gone now, too. I remember being particularly impressed by the quantity and quality of low life at the main station in Frankfurt a few years ago, and I always hear good things about the station at Naples, too. I've never been but Naples in general strikes me as a European city that really knows how to do seediness properly. Someone should do a series of guide books that concentrates on those kinds of factors, just for me.

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I re-watched Gary Oldman’s ‘’Nil by Mouth’’ in honour of your earlier mention of it on this thread. This movie is a perennial 10/10 movie for me and it gets better with every watch.

Yeah, I sort of take Nil By Mouth film for granted now but it really is an astonishing piece of work. It's a different kind of seediness, though. More gritty and certainly less romantic than a film like Accattone. Although that might be because I've more experience of contemporary London than I have of 60s Rome. Nil By Mouth disturbs me in a way that few films ever have.

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When you hear clueless bloke after clueless bloke proclaiming [Tarantino] the biggest thing that happened to cinema for the umpteenth time though, that’s when you wish he didn’t get the sort of recognition and success he normally gets.

Do people still think about him like that? I remember people talking in those terms around the time of Pulp Fiction but I tend to find mentioning his name nowadays is more likely to generate rolled eyes and dismissive sighs than anything else, even among those (like myself) who quite liked his earlier films.
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Old 06.11.2012, 08:13 PM   #16172
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Old 06.12.2012, 08:23 PM   #16173
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Alice Doesn't Live Here Anymore

One of Scorsese's most underrated films, I think. Maybe because it's one of his least typical (besides Kundun, obviously (which I quite like) and New York New York (which I don't)). It feels more like something Cassavetes might've done. Very much an actors film I think, if that makes sense. One of those films where good acting takes precedent over everything else, like American Beauty, or anything that involves Meryl Streep. The story feels like it could've been adapted from a Dolly Parton or Reba McEntire song. It's Scorsese's most woman-centric film, which kept making me think of Jackie Brown (probably because of Genteel Death's post), which I also think is Tarantino''s most underrated movie.

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When I retire, I want to live in that film.
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Old 06.12.2012, 08:51 PM   #16174
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Quote:
Originally Posted by demonrail666
Do people still think about him like that? I remember people talking in those terms around the time of Pulp Fiction but I tend to find mentioning his name nowadays is more likely to generate rolled eyes and dismissive sighs than anything else, even among those (like myself) who quite liked his earlier films.

I think Inglorious Bastards helped him quite a bit with the eye rollers, but it still didn't make up for the damage Kill Bill inflicted. I love Kill Bill, but it was too iconic and bombastic and kitschy for all the film school types, who would prefer iconoclastic and intentionally challenging films.

Bastards being 50% foreign language and 3+ hours long definitely helped, but it's nothing like it was in '94 with Pulp Fiction turning "Cannes" into a household word, and Reservoir Dogs being praised for its screenplay. I agree, those days are over. I love all of his films (Jackie Brown included, and Kill Bill possibly most of all!) but yeah name dropping Tarantino is always met with kind of a "oh, come on" look in most social situations.
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Old 06.12.2012, 10:02 PM   #16175
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Kill Bill was what, ahem, killed it for me. I was with him all the way from RD to PF but thought he needed to underplay his obsessions with his next one, Jackie Brown, and was really pleased when I saw that that was precisely what he'd done. And not just that, but made a really great movie in the process. In that respect, Kill Bill still seems like a massive step backwards that I still don't think he's really recovered from. In my opinion, obviously.
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Old 06.14.2012, 12:53 AM   #16176
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Just watched boogie nights.

A masterpiece really.
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Old 06.14.2012, 01:09 AM   #16177
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I watched film socialisme the other day and it's probably my least favorite godard(i haven't seen many to be fair)

going to watch Martyrs tomorrow and was told it was the best horror of the last decade

taking my boyfriend to see prometheus on friday
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Old 06.14.2012, 01:59 AM   #16178
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Quote:
Originally Posted by atsonicpark
Just watched boogie nights.

A masterpiece really.

Ah, good to see you back.

And I agree.
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Old 06.14.2012, 09:18 AM   #16179
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9/10
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Old 06.14.2012, 09:32 AM   #16180
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Quote:
Originally Posted by demonrail666
When I retire, I want to live in that film.

Sorry, didn't see this until now.


I might've found the film itself to be more interesting than entertaining. It's basically a film about human nature... but the way it's filmed really illustrates a cautious and detailed approach from Tati. The dialogue can barely be heard throughout the film and focuses a lot simply on the behavior of everyone at the resort. The "comical" parts are mostly amusing to me rather than laugh out loud funny. That's fine with me, as it usually takes something really specific to make me genuinely laugh. But I still appreciated his unique demonstration of the impulsive behavior of the characters.

"Play Time" may be the best I've seen from Jacques Tati. I really admired those sets he created for the film in the hotel. I loved the greyness to them and futuristic aspect. All things considered, it might very well be his boldest film.

Mr. Hulot's Holiday, despite what I said above... has a special place in my heart.
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