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Old 05.24.2012, 01:13 PM   #16021
demonrail666
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Originally Posted by !@#$%!
yeah it doesn't need to be a comedy but with certain subjects (e.g., grown men wearing capes) it's sometimes good to keep a twinkle in the eye and not go all-method.

I totally agree. It's a difficult line, though. I think it's possible to treat superheroes with a sense of humour without the whole turning into flat-out comedy (although I though it worked with Iron Man). But I equally don't like it when the whole thing gets a bit too serious, either (Watchmen). Part of why I think Keaton was such a good Batman was cos I think he got that balance just right.
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Old 05.25.2012, 09:06 AM   #16022
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great grafics
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Old 05.25.2012, 12:09 PM   #16023
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Quote:
Originally Posted by Murmer99
Yeah I was kind of being a dick.

ha ha, not really, what's actually cool is that we care enough about this shit to engage in rambling internet discussions about it
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Old 05.25.2012, 06:56 PM   #16024
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Old 05.25.2012, 07:01 PM   #16025
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Old 05.25.2012, 08:53 PM   #16026
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no, i didn't see this movie recently and really don't want to see it again based on my previous childhood memory of this fucked film. damn you 1980's.

i didn't eat school lunch for a week nor use the school's bathroom because of this shit. i think it even made me cry and puke. so disturbing but so fascinating(i loved the cards). thanks mom.



 
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Old 05.25.2012, 09:18 PM   #16027
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going to watch brain damage later


 
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Old 05.25.2012, 10:47 PM   #16028
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Dario Argento's Inferno was screening at the local theater here. it was nice to see it on the big screen and there were some nice scenes, but all in all i agree with I think Adam's criticism that it is a bit boring. And the plot is kind of silly.
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Old 05.25.2012, 11:31 PM   #16029
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yeah, I agree with that. It's my problem with just about every single Argento film that I've seen. Stylistically, most of them are intriguing to watch but I hardly ever care about what's going on in them... can't find much about the characters that seems interesting. I like the use of color in Inferno, great sets... but the pacing just makes it dull. I would say however he has at least 3 movies I can watch over and over again.

But all in all, majority of his work consists of potential masterpieces that just don't live up to it, in my honest opinion.
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Old 05.26.2012, 03:37 AM   #16030
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Now that I've thought about it, I'd really like to see Ariel Rebel in a feature film or two. What a babe.
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Old 05.26.2012, 06:39 AM   #16031
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having trouble sleeping so I've been watching movies. I'm going to watch Escape from New York now. Not too fond of Carpenter but it's one of my favorites
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Old 05.26.2012, 08:48 AM   #16032
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Quote:
Originally Posted by Murmer99
yeah, I agree with that. It's my problem with just about every single Argento film that I've seen. Stylistically, most of them are intriguing to watch but I hardly ever care about what's going on in them... can't find much about the characters that seems interesting. I like the use of color in Inferno, great sets... but the pacing just makes it dull. I would say however he has at least 3 movies I can watch over and over again.

But all in all, majority of his work consists of potential masterpieces that just don't live up to it, in my honest opinion.

yeah i agree with that. i really like tenebre and profondo rosso as well as the bird with the chrystal plumage, suspiria is a beautiful film, but does drag on a bit. the bird also has a pretty good plot from what i remember. as i mentioned in a post aa few years ago, my problem with tenebre was the sound, the dialogue was super quiet and the music and effects really loud. and the edition of deep red that i saw was like half italian and half english and thus super annoying. but i still really like him as a director. i want to see opera.
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Old 05.26.2012, 11:54 AM   #16033
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I also agree. I've never liked any of his films completely. The closest I've got is probably with Suspiria and Deep Red. I dunno, he seems so preoccupied with style that, as murmur says, they tend to be quite dull in patches; as though the narrative's only real function is as a means of connecting a string of different set-pieces.

A bit of trivia about Inferno you may already know is that the film's underwater room scene (probably its most memorable) was actually done by Mario Bava, on Argento's request.
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Old 05.26.2012, 12:19 PM   #16034
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Quote:
Originally Posted by Dr. Eugene Felikson
Now that I've thought about it, I'd really like to see Ariel Rebel in a feature film or two. What a babe.

I'm sure I read somewhere that she's meant to be quite a fucked up individual. She seems to have been marginalised even within the Adult industry so I doubt if the mainstream would want to touch her. I think with a lot of them, their lifestyle and attitude is more of a hindrance to them progressing their career than their association with porn. There are a few I've seen where I've thought they could work well in the mainstream, then the stories come out about their fucked up personalities, drug excesses, etc. Not saying none of those occur in mainstream Hollywood, obviously, but I suppose it has enough problems of its own to deal with without having to cope with a lot of the human wreckage that gravitates towards the porn industry.

I still think some would be perfectly suited though, with no obvious lifestyle or attitude issues to get in the way. Although for the large part, I think they're the older ones who've seen a bit more, done a bit more and had time to come out the other end. (Nina Hartley, Evan Stone, TJ Hart, Ron Jeremy, Julia Ann, etc). The problem there, especially for the female performers, is that, if anything, due to the popularity of the whole MILF genre, there are probably more casting opportunities for them in porn right now than there is in the mainstream (which seems to largely forget women once they hit 40). I'm sure Shannon Tweed would make an absolute fortune if she signed with Vivid.
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Old 05.26.2012, 09:03 PM   #16035
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Quote:
Originally Posted by demonrail666
I also agree. I've never liked any of his films completely. The closest I've got is probably with Suspiria and Deep Red. I dunno, he seems so preoccupied with style that, as murmur says, they tend to be quite dull in patches; as though the narrative's only real function is as a means of connecting a string of different set-pieces.

A bit of trivia about Inferno you may already know is that the film's underwater room scene (probably its most memorable) was actually done by Mario Bava, on Argento's request.
the underwater scene was really great. and i really really liked the scnee with verdi's music and the flickering lights. that was a really cool and unique scene.
http://www.youtube.com/watch?v=QlCM7TK_nhU
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Old 05.26.2012, 09:19 PM   #16036
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I picked up a documentary called man on wire and sergio leone's good bad and the ugly at a bookstore for pretty cheap earlier so I guess I'll be watching them later.

The underwater scene is the only one I remember from Inferno... well, actually I also remember a scene where the killer tortures cats or something which was quite disturbing to watch. (this does happen in Inferno right? I might be thinking of a different one because it's been a long time since I've seen it)
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Old 05.27.2012, 07:23 AM   #16037
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Old 05.27.2012, 07:27 AM   #16038
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i had to sneeze 2 times hard in these movie
doesn't know if it has a psychological influence
not going to tell you what part

my home maybe tapped of by people
as i did trapped some people doing that

maybe people with those new frequency radio's
or bored people who those eqiupment

i always send your boredom back
here is nothing
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Old 05.27.2012, 07:29 AM   #16039
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my way of protecting my life for noses
seen alot on tv about tapping phones and hacking bancaccounts
don't understand much of it so
i do it this way
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Old 05.27.2012, 07:34 AM   #16040
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the funny thing is that in batman forever
the thought reading machine is beeing made
seen it on tv
they were working on a device that could read the mind and help the individual
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