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#21 |
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invito al cielo
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jeezus where did i leave it off
wowza that was a lot of responses -pink flamingos. i think desperate living is probably better and has better jokes but pink flamingos is the iconic/ unforgettable one i've watched some 20 times. particularly love the deleted scenes. priceless. - brazil, i spotted it some places here, which reminds me it blew my mind the first time i saw it, after 10 rewatches i'm bored with it and don't think it's so great but i have to admit it was great while it lasted so i'm including it because i can't think right now. - killer of sheep - probably one of the greatest things you'll ever see. i did a few years ago and haven't yet recovered. oh yeah and... dr strangelove!!! that movie is fucking awesome dammit, people, so many movies to love, picking "tops" is absurd.... the leopard (in italian: il gattopardo): visconti's fucking EPIC adaptation f lampedusa's novel, please avoid the dubbed/shorter american version (fuckin yahoos!) das boot. come on! das boot! anyone who's ever been in deep shit and expects to be again should watch this movie. RAN - oh you fucking kurosawa you, opening with that wild boar hunt like that, so delicious to the eye-- and everything else, magnificent! what else what else... "top" fucking movie... hm.... FANNY AND ALEXANDER. long version please (made for tv-- does it count?) i give up. i hate this rating exercises. "this over that"-- ugh! IT'S ART, PEOPLE. not a formula 1 race. |
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#22 | |
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Quote:
An acquaintance of mine who's edited a book about Scorsese holds that film in equally high regard. I'll confess to being one of those who lazily wrote it off when it came out, dismissing it as a bit of a Goodfellas rerun but, after recently watching both again, I definitely think it's a great film in its own right and is in many ways a better movie. Great call on Heat, too, which just gets better and better every time I watch it. |
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#23 | |
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I love Desperate Living but always feel that it suffered a bit by the non-involvement of either Divine or David Lochary. Still brilliant, though, and Mink Stole definitely has some of the funniest lines in any Waters' films. And I just loved the whole idea of Mortville. It's still my go-to name for any seedy, run down place that I visit. |
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#24 | |
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#25 |
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expwy. to yr skull
Join Date: Jun 2010
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A huge mistake I made was forgetting Bergman's Persona, which might be in my top ten list. Oops
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#26 |
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expwy. to yr skull
Join Date: May 2006
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Caddyshack
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#27 | |
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furreals? i have heard people say it's really funny, but i've never seen anything funny involving golf, and i've seen happy gilmore. |
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#28 | |
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#29 |
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Super Moderator
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My top 5:
Up In Smoke The Big Lebowski Withnail And I Labyrinth The Dark Crystal |
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#30 |
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maybe not the best film ever but it makes me laugh. not many films make me laugh.
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#31 | ||
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the end of the ugly
Join Date: Mar 2006
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I'd never thought I'd see her name anywhere... (yet she played for some quality directors)... Quote:
Haven't seen it, read something about it... I'll probably end borrowing it... Some faves of mine : Mulholland Drive Deep End The Night of the Hunter Another Day in Paradise I soliti ignoti And more more more... Johnny Guitar, Electra Glide in Blue... |
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#32 | ||
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i actually a few times every now and then have been capable of sitting through a rodney dangerfield movie Quote:
oh shit, that movie is nuts! all i can remember are these crazy colors and strangely decadent characters. i once read/heard it had a kind of cult following in france, i think on account of some important person praising it (can't remember who). zit true? |
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#33 |
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Haven't seen Johnny Guitar.
Good call on Night of the Hunter, though because of its sluggish pacing I'm not sure if I'd place it too high on my list. I'm going to watch that again sometime soon, as I recall still being heavily drawn to it despite its flaws. |
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#34 |
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Johnny Guitar was definitely held in high regard by the more auteur-theory-fixated sections of the nouvelle vague. Godard references it in Le Mepris and Le Petit Soldat. Its thinly veiled anti-McCarthy message also made it a big deal for the Hollywood Left at the time. This scene in particular has been interpreted as a critique of the anti-communist witch-trials, of which Joan Crawford was herself a target. Great scene.
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#35 |
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the end of the ugly
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... and years later Wim Wenders praised Nicholas Ray to the point of shooting a movie about him.
Wenders was hip when I got into movies, so, perhaps... I honestly can't say why I wanted to see his films; could have been thanks to the cinéma de minuit, a late TV show that aired old movies by the likes of Minelli. On a sidenote, I saw that movie in a real cinema on one of my birthdays (18? 19? 20?), with Party Girl right after that. That lair on the hill, the scene with the glass of whisky... I looooved it... |
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#36 |
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I've only seen Johnny Guitar on a TV but I'm sure it looks incredible on a big screen.
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#37 | |
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Yeah, she's a bit overlooked compared with a lot of the others. I love her in The Big Heat and In a Lonely Place, though. |
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#38 | |||
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ahhhh.... yeah! and that set! i mean-- piano + rock wall! that belongs in a poe story not a western = AWESOME Quote:
i really wanna see that movie again now. Quote:
i saw it from a rotten vhs tape and i thought it was fantastic. apparently it doesn't exist on DVD, at least in region 1. which is a fucking shame. |
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#39 |
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ps- it was truffaut!!
http://www.slantmagazine.com/dvd/rev...ny-guitar/2391 pps- apparently it was just released!!! http://www.newyorker.com/online/blog...ny-guitar.html oh, the fucking coincidences-- is that the version Bertrand saw? |
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#40 | |
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Yes!!! There's something totally gothic about that scene; like something from one of Corman's Poe adaptations. Bava, even. And Crawford at the piano in her white dress is definitely in that vein. Nicholas Ray's sets are legendary. He studied under Frank Lloyd Wright and a lot of his sets are said to have his influence - it definitely makes sense in terms of that scene. I don't remember who said it or the exact quote but a critic once said something along the lines that if Anthony Mann is the master of landscapes in cinema, then Ray is the master of interiors. It may just be one of those nice little throw-away observations but I do think there's at least some truth to it, at least in terms of Ray. |
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