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Old 03.18.2013, 11:13 AM   #2581
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Someone requested to share a non-Dimers link for this White Heaven boot. So that's what this is, and more. It has the original and the remastered version of the Dingwalls set. Both versions are included because I didn't find the remaster a necessary improvement, so oyou can choose for your self.
And as a bonus another set that was running on Dime, from Showboat a year earlier.

Link: http://we.tl/ktipeUxAxf
(expires on April Fool's)


Info Dingwalls set:
Quote:

WHITE HEAVEN
Dingwalls
London, England
October 2, 1995


TRACKS:
1. Out 6:13
2. Midsummer Stroll 6:08
3. Silver Current 5:20
4. Snow 6:15
5. Fallin' Stars End 9:10
6. My Cold Dimention 4:02
7. Mandrax Town 12:29

TT : 49:37


LINEAGE:

? > Trade CD-R > EAC > Wavs > FLAC Front End > FLACs >


ADDITIONAL LINEAGE [for the remastered version]:

TLH > WAV >
Remaster (Audition 3):
Copy right channel to left (it was a mono recording with left very weak)
Correct DC offset
FFT filter to reduce lows, slightly adjust mids
Slight level reductions on spikes (smooth master recorder autoleveling)
Level boosts (raise overall level significantly)
Fades on cuts in/out
Remove blank spaces
Retrack
WAV > TLH > FLAC (level 8, sectors aligned)


Personnel, probably:
You Ishihara (vo),
Michio Kurihara (guitars),
Soichiro (guitars),
Ken Ishihara (drums), Koji Shimura (bass)



Info for Showboat set:

Quote:
White Heaven
Showboat, Koenji, Tokyo
June 19th, 1994


1. Behind the Locked Door 9:19
2. Silver Current 4:57
3. Midsummer Stroll 6:04
4. The Look of Love (Bacharach/David) 5:11
5. ? 8:17
6. Threshold of the Pain 3:40
7. My Cold Dimention 7:14
8. tuning > Fallin' Stars End // 2:00
9. // Fallin' Stars End 8:43
10. Coloured Mind Drops 5:21

Total 60:44

There's a 2-second break @ 5:19 in t5.


Trade CD-R > EAC > FLAC Front End > FLAC


Personnel, probably: You Ishihara (vo), Michio Kurihara (guitars), Ken Ishihara (drums), Soichiro Nakamura (guitars), Koji Shimura (bass)

And some more info/bio/interview copied from the notes files:

Quote:
From the intro to the interview published in Ptolemaic Terrascope #31:

... White Heaven, with their magical blend of West Coast stoned cool and iced-out NY punk ire, were the most immediately accessible. You Ishihara's deep, naive vocals formed a perfect counterpoint to some incendiary guitar slinging courtesy of a guitarist called Michio Kurihara. Kurihara's presence seemed to kick any track into the stratosphere, with a sure grasp of tension and song-dynamics that recalled the great Cipollina at his best. Silkily smooth lines or rough-edged fuzz attack, all seemed to come equally easily to Kurihara.


Michio Kurihara, from the interview printed in the same issue:

PT: When did you develop your guitar style? You have often been compared to John Cipollina from Quicksilver; when did you first hear his playing?

MK: My current guitar style is something which kind of developed naturally. So there's no point I can say that this is when it began. The first time I heard Cipollina's guitar was on Quicksilver's second album, Happy Trails, which I think I bought when I was twenty. The first couple of times I heard it, it didn't make much of an impression on me, but then the more I listened to it the more I began to see how amazing he was. Then I went out and bought Quicksilver's first album, and that just totally knocked me out. Just the beauty and the sexuality of his guitar, and his use of space and timing, they're all superlative. He's one guitarist who is truly worthy of respect. I think that my current style is made up of elements from Cipollina and all the other great guitarists of the past which I have naturally absorbed and digested. But either way, I think that my playing is still developing. I want to keep on applying myself and studying so that I can play better, get better sounds out of the guitar.

PT: What's your main guitar at the moment?

MK: At the moment, the one I use most is a 1968 Gibson SG Standard. I bought it in 1991, at a guitar shop in Kunitachi [a western suburb of Tokyo]. Just one look at it and one listen to it had me hooked. Going right back to my second year of high school, I have mostly always played SGs. This is a bit off the topic, but Cipollina plays the same Gibson SG Standard, but his seems to be a very heavily modified early sixties model. I know, because last year I went to have a look at his guitar in the Rock & Roll Hall of Fame in Cleveland.

PT: You've played on a couple of records with ha-za-ma. Who leads that band?

MK: Roku is the leader. Then I suppose that Kaoru Onuma (drums) is like the sub-leader. The group started in 1988 when I first jammed with a group that Roku and Onuma had back then, Dragon. Almost simultaneously the other members of Dragon quit, so we changed the name to ha-za-ma and started playing some gigs, just jamming and improvising. The original idea of the group was to be a session unit with an open policy so that anyone could leave or join. Recently the line-up has become fixed, and it's a shame that we lost the energy that we used to have. But at the same time, sometimes there are moments where we naturally drift into an amazing ensemble thing that can take your breath away. It's a strange group. Roku used to be an artist type, making stained glass and stuff like that. Now he runs a club for Deadheads and hippies called Yukotopia in Umejima in Adachi-ku [in northern Tokyo. The club was the venue for the Mike Wilhelm gigs documented on the "Live in Tokyo" disk]. He also owns some land in Hawaii, so he's only in Japan for six months of the year usually. It looks like he's going to turn into a hippie himself.

PT: Do you see any difference between your role in say Ghost or ha-za-ma, and your role in White Heaven or Stars? Are you more like a sideman in some of your groups?

MK: I have never devoted a lot of thought to my role in each group. My basic approach to producing sounds is the same in every group. Though I suppose you could say that in White Heaven and Stars my sound is more to do with creating the framework of the songs, whereas in Ghost or ha-za-ma it's more often, comparatively, to do with creating a background or adding tonal colour. But of course this varies quite a bit depending on the stage of the group's development and the particular song. In terms of synaesthesia, you could say that White Heaven and Stars have a monochrome sound palette (albeit like really intense daylight), and Ghost and ha-za-ma have a more colourful sound.

Also, each group has its own unique direction and tendencies. For example, in White Heaven a sense of tension has more important to us than creating a perfect ensemble, and we tended to pursue certain sounds very stoically. In Ghost though, Batoh has his own unique sound aesthetic, and so we tend to concentrate more on creating a polished ensemble. Ha-za-ma was the freest out of these three, more like a laboratory for sound. So I have to adjust my playing to make it suitable for the direction of each group. But in reality, when playing in a group we are all touched by the other member's sounds and via a natural process like chemical reaction, our own sounds alter and change. This, for me, is the most enjoyable part of playing with so many different groups.


For more information about Michio Kurihara, including a link to the full version of the interview, see the Michio Kurihara Discography section of http://michaelcross.me.uk

For more information about White Heaven etc, see Takeya Sekiguchi's Electric Cool Acid site at http://music.geocities.jp/electric_cool_acid/

NB The 2 Ha-Za-Ma CD's are still listed as available on the Captain Trip label's web site http://www.captaintrip.co.jp.

The 3 releases by The Stars, You Ishihara's 'Passivite', White Heaven's 'Out', 'Rainbow' and 'Cloud Chamber' by Boris with Michio Kurihara, Ai Aso's 'Chamomile Pool' CD and 'The Chamomile Pool Show' DVD are currently available from Pedal Records (http://www1.odn.ne.jp/pedalrecords/) and their distributors.

Michio Kurihara's 'Sunset Notes' is still available on Damon & Naomi's 20-20-20 label at http://www.20-20-20.com, as are Damon and Naomi's 'Within These Walls' and 'The Earth is Blue'.


The debut album by Ensemble Pearl (Atsuo, William Herzog, Michio Kurihara and Stephen O’Malley) is being released March 19, 2013 on CD & 2LP by Drag City, and 2CD on Daymare.
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what comes first,
the music or the words?



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Old 03.21.2013, 05:23 PM   #2582
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Quote:
Originally Posted by ilduclo
btw--i tried to pm you this, but you has no room to pm unto.....

All right, I finally cleared my inbox. See, I was holding on to some PM sex I had with a chick from this board. I'm romantic like that.
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Old 03.23.2013, 03:16 PM   #2583
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Just uploaded loads of stuff. As always:

http://twitter.com/live_downloads
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Old 03.23.2013, 05:47 PM   #2584
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Quote:
Originally Posted by The Soup Nazi
All right, I finally cleared my inbox. See, I was holding on to some PM sex I had with a chick from this board. I'm romantic like that.


all right, now I can contact you PRIVATELY
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Old 03.27.2013, 08:01 PM   #2585
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Boredoms
 

ATP


3/16/02

U.C.L.A.

-51 min---A-

another set, glitchy and incomplete has started circulating 3/2013 on dime a dozen

http://www.dimeadozen.org/torrents-d....php?id=436841

don't download that one, get the one below!


https://hotfile.com/dl/200194180/b73...16_02.zip.html
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Old 03.28.2013, 11:09 PM   #2586
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I have quite a bit of Brotz's Die Like a Dog. Would that be welcome around here?
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Old 03.29.2013, 12:33 AM   #2587
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Full Blown Trio - October 21, 2002
Houston Hall - University of Pennsylvania, Philadelphia, PA

Dave Burrell p
William Parker b
Andrew Cyrille d

Sonic Studios DSM-7 > Sony TCD-D7

Download link (expires April 12):
http://we.tl/iZOnCrGy1J
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Old 03.29.2013, 09:47 AM   #2588
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Quote:
Originally Posted by jackmw
I have quite a bit of Brotz's Die Like a Dog. Would that be welcome around here?


heck, yeah! the Brotz is always welcome, whereever he brings his little bird heart (or machine gun)
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Old 03.29.2013, 10:11 AM   #2589
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jackmw's posts weren't showing because of the link/new user thing. I've just approved the post though...
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Old 03.29.2013, 01:29 PM   #2590
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Quote:
Originally Posted by ilduclo
heck, yeah! the Brotz is always welcome, whereever he brings his little bird heart (or machine gun)

Hey Mike! We should trade again sometime soon. I just discovered this wonderful spot on the interwebs

I will package up some Brotz and post it up here. wetransfer seems to be the best service out there right now, doesn't it? Any alternate recs are welcome
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Old 03.29.2013, 01:30 PM   #2591
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Quote:
Originally Posted by stu666
jackmw's posts weren't showing because of the link/new user thing. I've just approved the post though...

Thanks! I was wondering why that post kept disappearing on me...
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Old 03.29.2013, 03:27 PM   #2592
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Hi, Jack, welcome! glad to have you here. I recco Hotfile for links that are a little longer lived than Wetrans, only 400 Mb, though....Sendspace is OK, too but 300 mb max.
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Old 03.30.2013, 04:32 PM   #2593
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last chance coming up on these 2 per sendspace notification

Uptight Instal 10/14/05 The Arches, Glasgow, Scot- aud ecm-719>mz-N710 –42 min
File Name: Uptight io i4 o5.zip
Download Link: http://www.sendspace.com/file/ndxtam


Incapacitants
2/21/04 Tokyo Aoyama Cay --- aud csb’s>d100
File Name: Incapacitants 2 2i o4.zip
Download Link: http://www.sendspace.com/file/i7h6ya
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Old 04.02.2013, 07:43 PM   #2594
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Peter Brötzmann's Die Like A Dog
Konfrontationen, Nickelsdorf, Austria
July 15, 1994

AUD

Peter Brötzmann reeds
Toshinori Kondo t,elec
William Parker b
Hamid Drake d

Download link (expires April 17):
http://we.tl/DQcosmsoNN
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Old 04.07.2013, 09:08 PM   #2595
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I have some Brotz shows to share, but my posts with links keep getting deleted (I guess because I'm a new member?). Anyway to get around this? And how long do I remain in "newbie" status?
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Old 04.08.2013, 12:22 AM   #2596
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Quote:
Originally Posted by jackmw
I have some Brotz shows to share, but my posts with links keep getting deleted (I guess because I'm a new member?). Anyway to get around this? And how long do I remain in "newbie" status?

I've approved yr post. I think you should be ok to post links now but if they are still disappearing then let me know...
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Old 04.08.2013, 05:43 PM   #2597
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Ahhh! That post just made me remember Brotzmann & Paal Nielsen-Love played in Dublin last Saturday. I obviously completely forgot.
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Old 04.15.2013, 07:03 PM   #2598
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Quote:
Cut Hands
Twisted Pepper
Dublin, Ireland
2013-04-13, 13th April 2013

—–

Source: Edirol R-09 inbuilt mics @ 96khz/24bit (Low cut off, Low gain setting) > FLAC 44khz/16bit
Location: Standing to direct left of stage/performer

Total Running time: 47mins 23secs [250mb]

01 [06:05]
02 [01:47]
03 [04:07]
04 [02:57]
05 [05:37]
06 [04:44]
07 [06:51]
08 [04:41]
09 [05:20]
10 [05:14]

—–

Notes:

Cut Hands played as part of the Resident Advisor night at The Twisted Pepper, Also playing were Andy Stott & Forward Strategy Group.

This is spilt up by track but the set is really intended to be listened to as a whole. Even though Bennet played live it was in between other DJ sets so he played it as if he was DJ'ing. This recording is also available in 96/24 but since its just recorded with the R09's internal mics I’ll probably just distribute the 16/44 edition.

https://hotfile.com/dl/203188760/de9...lac16.zip.html
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Old 04.19.2013, 12:51 AM   #2599
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Keiji Haino
Thursday, April 11th, 2013
Empty Bottle, Chicago, IL
DPA 4060 > Core-Sound B.Box (Filter) > Sony PCM-D50
taped by Matt D.

1. 79:12

Keiji Haino - guitar, electronics, voice

FLAC: http://we.tl/0SUxdHwy6H (879MB)
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Old 04.20.2013, 06:39 PM   #2600
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thanks, Stu!!

Melvins

3/23/01 VK, Brussels,Belgium

 



sbd> m1-73min

nice, noisy set

split zips for flac set, to be found here:

http://www.sendspace.com/filegroup/Y...5KXV8cAD4YHNtQ
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