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Old Today, 05:01 AM   #301
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the end of the ugly
 
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Join Date: Jul 2012
Location: melbourne
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guest kicks all y'all's assesguest kicks all y'all's assesguest kicks all y'all's assesguest kicks all y'all's assesguest kicks all y'all's assesguest kicks all y'all's assesguest kicks all y'all's assesguest kicks all y'all's assesguest kicks all y'all's assesguest kicks all y'all's assesguest kicks all y'all's asses
Quote:
Originally Posted by Severian
Yeah, I feel this.
And it’s not just hip-hop. There’s culture trolling in whatever passes for passable rock music in the mainstream, too (The 1975 for some reason?) and it’s all a bit much.
I mean, I’m a pretty cynical motherfucker too, and all my musical favorites have some degree of iconoclasm permanently lodged in their identities (Lou Reed to RDJ to SY to whoever), but being provocative and iconoclastic seems to, in the late 2010s, mean essentially being an edgelord button-pusher with no portion of authenticity to their “act.”

Like JPEG or Tyler or Lana Del Rey or whatever. So much of it is just “let me see how much I can fuck with people and how many horrible things I can get away with saying before people call me out”
And if you call them out, watch out, because “kids today” will eat your fucking face. Because it is now socially unacceptable in a lot of circles to take anything seriously.

I mean, it’s hard for an older fuck like me to reconcile my dislike of this stuff with my appreciation and respect for punk and the punk spirit. But this is different terrain, really.
pretty much this, loathe to use the term virtue signalling but it seems like that for so many artists. not sure why I'm not as reticent to engage with it as applies to older stuff (reed is a good example, a lot of industrial has a similar tendency) but I suppose it's a perceived authenticity on my end? like an implicit understanding that they were more genuine in their identity -- iconoclastic as you say -- but now it's simply a ploy.
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