hotwired heART - Page 4

cuetzpalin · 03.28.2007, 06:27 AM

ANDY GOLDSWORTHY

etc.

http://en.wikipedia.org/wiki/Andy_Goldsworthy

Norma J · 03.28.2007, 07:06 AM

Quote:

Originally Posted by Bunbury

I like these. Although the first image she should be sitting at the edge of the highway looking down upon the traffic. It would have been more effective.

jon boy · 03.28.2007, 04:59 PM

Tokolosh · 04.10.2007, 05:42 AM

Martin Creed

Work No. 547
2006
35mm film transferred to DVD

Work No. 503
2006
35mm film transferred to DVD

http://www.martincreed.com

Tokolosh · 04.10.2007, 05:50 AM

More Martin Creed

Work No. 289
2003
Neon
16 m (l)
Installation at The British School, Rome

Work No. 205: EVERYTHING IS GOING TO BE ALRIGHT
1999
Neon
25 cm (h)
Installation at Alberto Peola Arte Contemporanea, Turin

Work No. 567: SMALL THINGS
2006
Neon
Installation at Palazzo dell'Arengario, Milan, Italy
Exhibition held by Fondazione Nicola Trussardi

Work No. 273
2001
Neon
6" high

Trasher02 · 04.10.2007, 05:52 AM

Quote:

Originally Posted by Tokolosh

To test the limits of the relationship between performer and audience, Abramovic developed one of her most challenging (and best-known) performances. She assigned a passive role to herself, with the public being the force which would act on her.
Abramovic had placed upon a table 72 objects that people were allowed to use (a sign informed them) in any way that they chose. Some of these were objects that could give pleasure, while others could be wielded to inflict pain, or to harm her. Among them were scissors, a knife, a whip, and, most notoriously, a gun and a single bullet. For six hours the artist allowed the audience members to manipulate her body and actions.
Initially, members of the audience reacted with caution and modesty, but as time passed (and the artist remained impassive) several people began to act quite aggressively. As Abramovic described it later:
“The experience I learned was that…if you leave decision to the public, you can be killed.” ... “I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”

Holy hell.

Tokolosh · 04.11.2007, 07:41 AM

Yasser Ballemans

God Bless Amerik.k.k. / katoen / 200 x 300 cm / 2004

WC rol / wc-rolhouders, wc-papier / 120 x 20 x 220 cm / 2005

Let’s Kick Ass (ism Karina van Bezooijen) / kunststof, PU-schuim, metaal / 30 x 50 x 120 cm / 2005

Tokolosh · 04.11.2007, 07:49 AM

Linda Nieuwstad

Lovely Granny (2003)

18 bejaarde dames
gemengde technieken

doos 190 x 150 x 40 cm

fotografie:
Anneke Hymmen

Linda Nieuwstad's website

Trasher02 · 05.03.2007, 02:32 PM

I love this photo by Ed. Austin takes an awesome pose.

cuetzpalin · 05.03.2007, 02:46 PM

BORIVOJ HORINEK "Records"

work with perspective
i couln't find any better pics, sorry

Trasher02 · 05.03.2007, 02:49 PM

The first one is sick.

05.04.2007, 06:34 AM

Stefan Zechowski

Cardinal Rob · 05.04.2007, 10:49 AM

The art fag level of some of these art works is horrendous.

05.09.2007, 10:25 AM

Maurizio Cattelan

Iain · 05.09.2007, 10:49 AM

Bedwyr Williams - Walk a Mile in My Shoes

Bedwyr Williams - Tyranny of the Meek

lucyrulesok · 05.09.2007, 11:15 AM

I love Bill Brandt:

John Virtue:

Jenny Saville:

Hieronymous Bosch:

And a whole bunch of other stuff too...

05.17.2007, 02:30 PM

http://www.michaelchsiung.com/drawings_index.html#

05.17.2007, 02:51 PM

Robin Williams
http://www.robinwilliamsart.com/

Tokolosh · 12.11.2007, 06:31 AM

Brendan Dawes

Cinema Redux (2004)

DVDs have opened up many new ways for people to spend more time obsessing over their favourite movies, and one the oddest products of this new technology is Cinema Redux.
Graphic designer Brendan Dawes has sampled his favourite movies, one frame per second, and arranged them to make giant digital posters. Each minute of the movie is represented by strips of 60 tiny frames going down the length of the poster. Scan it quickly and you get an instant visualisation of the rhythm and timing of the film.

So far Dawes has processed nine titles, including The French Connection, Get Carter, Road to Perdition and The Conversation. Each finished print is an odd cross between conceptual art and storyboard, from which you can take in a couple of hours of fast cuts and long takes - what Dawes calls the "unique fingerprint" of each film.
There are surprising moments of colour - the red Dali dream sequence in Vertigo; the blue cinema screen in Taxi Driver.

Film students, academics and obsessives with time on their hands may use Dawes's grids to postulate new theories about the language of film.

Vertigo (1958, Alfred Hitchcock)

The French Connection (1971, William Friedkin)

Deliverance (1972, John Boorman)

Serpico (1972, Sidney Lumet)

Tokolosh · 12.11.2007, 06:49 AM

Another Brendan Dawes project.

Don’t Look Now

What would happen if you take every single frame of a film and instead of displaying the frame in it’s normal aspect ratio you make it only 1 pixel wide?

Brendan Dawes: So with that question I built a piece of software in Processing that could take in a live stream from a DVD and construct images based on this idea. The film I used was the classic, and very strange ‘Don’t Look Now’ starring Donald Sutherland.

For more distorted images click here, and then on the view project button.

03.28.2007, 06:27 AM	#61
cuetzpalin the end of the ugly Join Date: Mar 2006 Location: Czech republic Posts: 997	ANDY GOLDSWORTHY etc. http://en.wikipedia.org/wiki/Andy_Goldsworthy __________________ Co-founder of uber-kool outsiders' club. member of Pookie's fan club
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03.28.2007, 04:59 PM	#63
jon boy invito al cielo Join Date: Mar 2006 Location: psycho battery Posts: 12,161	__________________ Sarcasm[A] is stating the opposite of an intended meaning especially in order to sneeringly, slyly, jest or mock a person, situation or thing \|@ <------- Euphoric brain cell just moments before expiration V _ \ / _ PING <-------- moments later / \ http://media.tumblr.com/tumblr_ljhxq...isruo1_500.gif
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04.10.2007, 05:42 AM	#64
Tokolosh invito al cielo Join Date: Apr 2006 Location: Plaza de Toros Posts: 6,731	Martin Creed Work No. 547 2006 35mm film transferred to DVD Work No. 503 2006 35mm film transferred to DVD http://www.martincreed.com __________________ Anything you can /imagine is real
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04.10.2007, 05:50 AM	#65
Tokolosh invito al cielo Join Date: Apr 2006 Location: Plaza de Toros Posts: 6,731	More Martin Creed Work No. 289 2003 Neon 16 m (l) Installation at The British School, Rome Work No. 205: EVERYTHING IS GOING TO BE ALRIGHT 1999 Neon 25 cm (h) Installation at Alberto Peola Arte Contemporanea, Turin Work No. 567: SMALL THINGS 2006 Neon Installation at Palazzo dell'Arengario, Milan, Italy Exhibition held by Fondazione Nicola Trussardi Work No. 273 2001 Neon 6" high __________________ Anything you can /imagine is real
	\|QUOTE AND REPLY\|

04.11.2007, 07:41 AM	#67
Tokolosh invito al cielo Join Date: Apr 2006 Location: Plaza de Toros Posts: 6,731	Yasser Ballemans God Bless Amerik.k.k. / katoen / 200 x 300 cm / 2004 WC rol / wc-rolhouders, wc-papier / 120 x 20 x 220 cm / 2005 Let’s Kick Ass (ism Karina van Bezooijen) / kunststof, PU-schuim, metaal / 30 x 50 x 120 cm / 2005
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04.11.2007, 07:49 AM	#68
Tokolosh invito al cielo Join Date: Apr 2006 Location: Plaza de Toros Posts: 6,731	Linda Nieuwstad Lovely Granny (2003) 18 bejaarde dames gemengde technieken doos 190 x 150 x 40 cm fotografie: Anneke Hymmen Linda Nieuwstad's website
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05.03.2007, 02:32 PM	#69
Trasher02 invito al cielo Join Date: Mar 2006 Posts: 6,356	I love this photo by Ed. Austin takes an awesome pose. __________________ 666
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05.03.2007, 02:46 PM	#70
cuetzpalin the end of the ugly Join Date: Mar 2006 Location: Czech republic Posts: 997	BORIVOJ HORINEK "Records" work with perspective i couln't find any better pics, sorry __________________ Co-founder of uber-kool outsiders' club. member of Pookie's fan club
	\|QUOTE AND REPLY\|

05.03.2007, 02:49 PM	#71
Trasher02 invito al cielo Join Date: Mar 2006 Posts: 6,356	The first one is sick. __________________ 666
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05.04.2007, 06:34 AM	#72
sarramkrop Posts: n/a	Stefan Zechowski
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05.04.2007, 10:49 AM	#73
Cardinal Rob the destroyed room Join Date: Sep 2006 Location: In the O.. O.. Organ Loft, West Yorkshire, UK Posts: 553	The art fag level of some of these art works is horrendous. __________________ lastFM \| RYM \| MySpace
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05.09.2007, 10:25 AM	#74
sarramkrop Posts: n/a	Maurizio Cattelan
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05.09.2007, 10:49 AM	#75
Iain invito al cielo Join Date: Mar 2006 Posts: 2,544	Bedwyr Williams - Walk a Mile in My Shoes Bedwyr Williams - Tyranny of the Meek
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05.09.2007, 11:15 AM	#76
lucyrulesok 100% Join Date: Apr 2006 Posts: 769	I love Bill Brandt: John Virtue: Jenny Saville: Hieronymous Bosch: And a whole bunch of other stuff too... __________________ I think if kissing someone could make them pregnant the last person I kissed would have had their kid by now...
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05.17.2007, 02:30 PM	#77
sarramkrop Posts: n/a	http://www.michaelchsiung.com/drawings_index.html#
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05.17.2007, 02:51 PM	#78
sarramkrop Posts: n/a	Robin Williams http://www.robinwilliamsart.com/
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12.11.2007, 06:31 AM	#79
Tokolosh invito al cielo Join Date: Apr 2006 Location: Plaza de Toros Posts: 6,731	Brendan Dawes Cinema Redux (2004) DVDs have opened up many new ways for people to spend more time obsessing over their favourite movies, and one the oddest products of this new technology is Cinema Redux. Graphic designer Brendan Dawes has sampled his favourite movies, one frame per second, and arranged them to make giant digital posters. Each minute of the movie is represented by strips of 60 tiny frames going down the length of the poster. Scan it quickly and you get an instant visualisation of the rhythm and timing of the film. So far Dawes has processed nine titles, including The French Connection, Get Carter, Road to Perdition and The Conversation. Each finished print is an odd cross between conceptual art and storyboard, from which you can take in a couple of hours of fast cuts and long takes - what Dawes calls the "unique fingerprint" of each film. There are surprising moments of colour - the red Dali dream sequence in Vertigo; the blue cinema screen in Taxi Driver. Film students, academics and obsessives with time on their hands may use Dawes's grids to postulate new theories about the language of film. Vertigo (1958, Alfred Hitchcock) The French Connection (1971, William Friedkin) Deliverance (1972, John Boorman) Serpico (1972, Sidney Lumet)
	\|QUOTE AND REPLY\|

12.11.2007, 06:49 AM	#80
Tokolosh invito al cielo Join Date: Apr 2006 Location: Plaza de Toros Posts: 6,731	Another Brendan Dawes project. Don’t Look Now What would happen if you take every single frame of a film and instead of displaying the frame in it’s normal aspect ratio you make it only 1 pixel wide? Brendan Dawes: So with that question I built a piece of software in Processing that could take in a live stream from a DVD and construct images based on this idea. The film I used was the classic, and very strange ‘Don’t Look Now’ starring Donald Sutherland. For more distorted images click here, and then on the view project button.
	\|QUOTE AND REPLY\|