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Old 03.28.2006, 08:14 PM   #41
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Quote:
Originally Posted by noumenal
I grew up hating literary criticism. I loved reading, but I couldn't stand the wankering that we would do in English class - making conjectures about symbolism and so on.

However, music theory is copletely different. When I do music theory, I don't try to figure out what music means, that would be pointless. I just try to figure out how it works and doing that makes me a better musician, but more importantly, it makes me enjoy the music more. Listening to music is one thing, but listening after having played it and analyzed it is completely different. The reason I love music theory is because of the power it has to help me understand and enjoy music more.

Some people think that doing this is like learning how a magic trick is performed - that it takes away something from the experience, but this is completely wrong. If you haven't had the epiphany of understanding how a particular piece of music does what it does, you're missing out. I agree that music is "emotional and spiritual", but it is also intellectual and it isn't magic.

This distrust of academia is disturbing. The academic study of the arts has fallen behind, I'll give you that. It needs to catch up, particularly in music. But it's difficult because people don't want to change. On both sides. Rock music could benefit from a different viewpoint as well. However, I think that the tactic that a lot of academics take towards pop music is stupid as hell. All they talk about are the lyrics and sociological aspects - and this is the kind of crap that T&B is talking about. I shit on that stuff. But it would be great for rock music if there was a more systemized attempt to understand it musically. Ultimately, it would make for better music. IMO, rock music has yet to produce anything that can come close to the greatest music in the classical tradition. And it never will if people keep viewing music as magic that ought not be dissected.

yeah, i was talking about the socio-economic, and political analysis that is often applied to things. also i was speaking more from my experience as an art student, and critical theory rather than about actual music theory, which although i'm not very knowledgable on i give more creedence to because music theory has more basis in fact (physics and maths) than other art forms where it's entirely opinion and conjecture. in three years of art school i haven't received one single fine art lecture that is based on aesthetics or practical theory rather than some half-baked socio-political (or worse, identity politics) based theorizing.
anyway, my distrust of academia is based on experience, i'd love to wring various necks at my college, let me tell you. i'm sure most academics are working under some deluded notion that deconstructing a piece of work puts you on a level with the person who made the thing in the first place.
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Old 03.28.2006, 08:22 PM   #42
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Quote:
Originally Posted by truncated
I’m picturing Thurston reading our Sonic Gossip section – “Little do they know I wrote half that album on the shitter.”

I've had some really good lyrical ideas myself on the toilet. I wouldn't be surprised.
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Old 03.28.2006, 08:33 PM   #43
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Quote:
Originally Posted by noumenal
I grew up hating literary criticism. I loved reading, but I couldn't stand the wankering that we would do in English class - making conjectures about symbolism and so on.

However, music theory is copletely different. When I do music theory, I don't try to figure out what music means, that would be pointless. I just try to figure out how it works and doing that makes me a better musician, but more importantly, it makes me enjoy the music more. Listening to music is one thing, but listening after having played it and analyzed it is completely different. The reason I love music theory is because of the power it has to help me understand and enjoy music more.

Some people think that doing this is like learning how a magic trick is performed - that it takes away something from the experience, but this is completely wrong. If you haven't had the epiphany of understanding how a particular piece of music does what it does, you're missing out. I agree that music is "emotional and spiritual", but it is also intellectual and it isn't magic.

This distrust of academia is disturbing. The academic study of the arts has fallen behind, I'll give you that. It needs to catch up, particularly in music. But it's difficult because people don't want to change. On both sides. Rock music could benefit from a different viewpoint as well. However, I think that the tactic that a lot of academics take towards pop music is stupid as hell. All they talk about are the lyrics and sociological aspects - and this is the kind of crap that T&B is talking about. I shit on that stuff. But it would be great for rock music if there was a more systemized attempt to understand it musically. Ultimately, it would make for better music. IMO, rock music has yet to produce anything that can come close to the greatest music in the classical tradition. And it never will if people keep viewing music as magic that ought not be dissected.

That sounds really elitist to me. So people who understand art and music theory enjoy it more? Many artists would consider themselves failures if that was the case.

As far as classical music being better- people attach a certain holiness to art that is older and stood the tests of time. Some rock musicians could stand among the likes of Tchaikovsky and Bach. Mozart called the guitar a miniature orchestra, and he was right. The sound of a 4-5 piece band can be just as immensely moving as classical orchestral music.
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Old 03.28.2006, 08:52 PM   #44
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anyway, i was going to say that rock vs classical i don't know if you can compare them. anyway aren't prog and math rock just applications of music theory to rock, or ...shudder... Dream Theater? see i don't know how much theory can help balls-outness which i think is the core of rock.
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Old 03.29.2006, 12:18 AM   #45
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The best thing about music theory is that it gives people something to rebel against.
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Old 11.29.2006, 02:38 PM   #46
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how about this guy, chabib?

http://www.sonicyouth.com/gossip/showthread.php?t=8520
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Old 11.29.2006, 02:41 PM   #47
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Quote:
Originally Posted by truncated
But I just can’t help myself.

Does it ever cross your mind that when you postulate on the meaning of an SY (or any band for that matter) album/song/lyric/relationship/quote/etc., if that band were reading those theories (which may very well be the case here), they’re shaking their heads and laughing?

I realize that part of the point of ‘art’ is its subjectivity, its proclivity to interpretation. I know that’s the very purpose behind some of it.

However

When we start threads like “Do you think ‘Little Trouble Girl’ is an ironic comment on modern gender roles” blah blah blah, I can’t help but think, my god, are we presumptuous fuckers, thinking we have the right to impose our theories on someone else’s creation.

I mean really, who the fuck am I to think I can for even a MOMENT guess what’s going on inside their heads when they’re recording an album? I know it irritates the hell out of me when other people presume to know what my behavioral motivations are.

I’m picturing Thurston reading our Sonic Gossip section – “Little do they know I wrote half that album on the shitter.”

While ‘art’ is a form of universal expression, conversely, it can also be highly personal to its creator. Naturally its patrons are going to espouse theories on its various aspects, but I wonder if a band thinks

We shit it out
You ingest it
Then digest it
Fucking like it
Or don’t

These are just random unformulated thoughts that will likely get me ostracized, but so be it.

You shouldn't be ostracized. I sort of agree, but I think it is important not to put song lyrics on such a high pedestal. I don't know.

Oh fuck, this is a really old thread. Hahaha. I already replied to it. . . Now I feel dumb.
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Old 11.29.2006, 05:11 PM   #48
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Once I wrote a play that eventually got to be produced in front of an audience. I wrote the text, described what was going on, and so on. Then the director agreed to add a dancer in the play to please someone. It didn't please me. It was partly fucking the continuity up. My friend shuddered and said, let's see what comes out of it.
My mother told me, after seeing the play, that she had appreciated the dance moment, and told me how we had beautifully evoked something that was in the text by letting that girl (a pest) dance. As if we had had a goal. It puzzled me and made my friend smile.
One night, an actor said one of his lines in a very beautiful way. I congratulated him, he told me he had no idea of what I was talking about. I told him what I had grasped from his interpretation of the line I had written. He laughed out loud when I told him what line it was. The line was : "Yes".
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Old 11.29.2006, 05:36 PM   #49
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Quote:
Originally Posted by Bertrand
Once I wrote a play that eventually got to be produced in front of an audience. I wrote the text, described what was going on, and so on. Then the director agreed to add a dancer in the play to please someone. It didn't please me. It was partly fucking the continuity up. My friend shuddered and said, let's see what comes out of it.
My mother told me, after seeing the play, that she had appreciated the dance moment, and told me how we had beautifully evoked something that was in the text by letting that girl (a pest) dance. As if we had had a goal. It puzzled me and made my friend smile.
One night, an actor said one of his lines in a very beautiful way. I congratulated him, he told me he had no idea of what I was talking about. I told him what I had grasped from his interpretation of the line I had written. He laughed out loud when I told him what line it was. The line was : "Yes".

ha ha.

did you know that wagner had to write ballet numbers in his operas to please parisian audiences?

i didn't know this practice was still current but there you go...
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Old 11.29.2006, 06:37 PM   #50
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Quote:
Originally Posted by truncated
But I just can’t help myself.

Does it ever cross your mind that when you postulate on the meaning of an SY (or any band for that matter) album/song/lyric/relationship/quote/etc., if that band were reading those theories (which may very well be the case here), they’re shaking their heads and laughing?

I realize that part of the point of ‘art’ is its subjectivity, its proclivity to interpretation. I know that’s the very purpose behind some of it.

However

When we start threads like “Do you think ‘Little Trouble Girl’ is an ironic comment on modern gender roles” blah blah blah, I can’t help but think, my god, are we presumptuous fuckers, thinking we have the right to impose our theories on someone else’s creation.

I mean really, who the fuck am I to think I can for even a MOMENT guess what’s going on inside their heads when they’re recording an album? I know it irritates the hell out of me when other people presume to know what my behavioral motivations are.

I’m picturing Thurston reading our Sonic Gossip section – “Little do they know I wrote half that album on the shitter.”

While ‘art’ is a form of universal expression, conversely, it can also be highly personal to its creator. Naturally its patrons are going to espouse theories on its various aspects, but I wonder if a band thinks

We shit it out
You ingest it
Then digest it
Fucking like it
Or don’t

These are just random unformulated thoughts that will likely get me ostracized, but so be it.
Wait,i was gonna answer to that but i have a more important text message to read.
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Old 11.29.2006, 07:07 PM   #51
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Old 11.30.2006, 01:09 AM   #52
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its about what it means to you.
i associate specific songs with specific places/relationships/periods of my life. just because i listened to them then, or the lyrics or vibe seemed to be describing what was going on. ive no idea what whoever was writing those lyrics about, neither do i care.
(i havnt read the thread so forgive me if im repeating whats been said)
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Old 11.30.2006, 10:24 AM   #53
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Quote:
Originally Posted by truncated
But I just can’t help myself.

Does it ever cross your mind that when you postulate on the meaning of an SY (or any band for that matter) album/song/lyric/relationship/quote/etc., if that band were reading those theories (which may very well be the case here), they’re shaking their heads and laughing?

I realize that part of the point of ‘art’ is its subjectivity, its proclivity to interpretation. I know that’s the very purpose behind some of it.

However

When we start threads like “Do you think ‘Little Trouble Girl’ is an ironic comment on modern gender roles” blah blah blah, I can’t help but think, my god, are we presumptuous fuckers, thinking we have the right to impose our theories on someone else’s creation.

I mean really, who the fuck am I to think I can for even a MOMENT guess what’s going on inside their heads when they’re recording an album? I know it irritates the hell out of me when other people presume to know what my behavioral motivations are.

I’m picturing Thurston reading our Sonic Gossip section – “Little do they know I wrote half that album on the shitter.”

While ‘art’ is a form of universal expression, conversely, it can also be highly personal to its creator. Naturally its patrons are going to espouse theories on its various aspects, but I wonder if a band thinks

We shit it out
You ingest it
Then digest it
Fucking like it
Or don’t

These are just random unformulated thoughts that will likely get me ostracized, but so be it.

Good point but then that's a general malaise that comes with appreciating art in general and having the means to voice your opinions either via a piece of paper or through other mediums.I love it when you read of journalists who haven't even listened to a record or fully attended a gig but have to write a review of either.It sums up pretty much how seriously/not seriously i take mine and certain others' opinions when it comes to music/arts etc etc.
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Old 11.30.2006, 04:08 PM   #54
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[quote=truncated] Does it ever cross your mind that when you postulate on the meaning of an SY (or any band for that matter) album/song/lyric/relationship/quote/etc., "


That's interesting. Whenever I type out "SY" I'm hearing it in my mind as "Sonic Youth" so I would write "a SY...". But because you wrote "an SY..." that means you're hearing it as ""ess why" which is why you wrote "an SY" instead of "a SY". So you have appropriated "SY" as a term which has meaning as itself while to me it equates to either laziness or a desire to to save bandwidth or even a desire to conform with proper posting procedure.
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Old 11.30.2006, 04:10 PM   #55
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I read it as "ess why" as well.
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Old 11.30.2006, 06:32 PM   #56
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Old 11.30.2006, 06:46 PM   #57
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Is anybody besides me nerdy enough to be savoring the irony of the misspelling of "grammar" in that Nazi image?
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Old 11.30.2006, 06:50 PM   #58
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Old 11.30.2006, 06:52 PM   #59
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Old 12.02.2006, 02:31 PM   #60
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this thread is interesting. good for a change. i'm just bumping it.
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