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Old 12.15.2009, 04:27 PM   #27
The Earl Of Slander
the end of the ugly
 
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The Earl Of Slander kicks all y'all's assesThe Earl Of Slander kicks all y'all's assesThe Earl Of Slander kicks all y'all's assesThe Earl Of Slander kicks all y'all's assesThe Earl Of Slander kicks all y'all's assesThe Earl Of Slander kicks all y'all's assesThe Earl Of Slander kicks all y'all's assesThe Earl Of Slander kicks all y'all's assesThe Earl Of Slander kicks all y'all's assesThe Earl Of Slander kicks all y'all's assesThe Earl Of Slander kicks all y'all's asses
Quote:
Originally Posted by Rob Instigator
Nope, just american.

the first 5 RHCP (Red Hot Chili peppers, Freakey Styley, Uplift Mofo Party Plan, Mother's Milk, and Blood Sugar Sex magic) are great man! have some goddamn fun! I know the brits do not like the funk, and what funk they do like is watered down fey shit , but man, back in day day, when the early RHCP, the early jane's Addiction, early Faith No More, all those acts rocked it out man.

I know they were and are ridiculous, that anthony kiedis is probably the single worst rock lyricist ever, but man did they have fun and get the kids (including me) amped up. they brought P-Funk's absurdity and hallucinogenic qualities to the funk-rock (a much maligned yet deserving of such malignancy subgenre, for sure). indie/alternative rock these days is severely missing a sense of humor.

Red Hot Chili Peppers - Subway to Venus (live on Night Music)
http://www.youtube.com/watch?v=2pgYrRQvDnU

I'm not going to make a a sweeping general comment about the Chillis, only having heard little bits from their pre-Blood albums, but just two comments. A) I don't appreciate you saying that the Brits can't appreciate funk on the grounds that 80s/90s funk metal never hit big here, especially considering that real funk is still much loved here, and we produced THIS and B) At the very least, the Chillis' cover of Subterranean Homesick Blues (which I believe is early?) makes me more genuinely ANGRY than pretty much any other piece of recorded music.
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