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wait, so dilloway and connelly are on the whole record? fucking hell!
the new track is sounding good, very sparse.
aaron's involvement is what is exciting me, if he brings his minimalistic proclivities (as on grapes & snakes and modern jester, to my ears one of the finest albums of recent times)to this record then I see no reason why it can't be as good as prime-era wolf eyes (mid-2000s).
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