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Okay this is just my opinion but what obviously made SY interesting was the way Lee and Thurston's guitars interact sound-wise with each other while for the most part not matching note-wise exactly what each other are doing... Some of that is definitely missing in CLM and from what I hear on the new material. I don't mean to say that negatively about Keith Wood or James Sedwards as they are fine guitarists, but it could be how Thurston wants the songs to sound? Thurston definitely tends to lean on the "minimal" side, where Lee likes to layer parts and add overdubs.
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