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Old 01.27.2014, 11:55 AM   #17699
!@#$%!
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Join Date: Mar 2006
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!@#$%! kicks all y'all's asses!@#$%! kicks all y'all's asses!@#$%! kicks all y'all's asses!@#$%! kicks all y'all's asses!@#$%! kicks all y'all's asses!@#$%! kicks all y'all's asses!@#$%! kicks all y'all's asses!@#$%! kicks all y'all's asses!@#$%! kicks all y'all's asses!@#$%! kicks all y'all's asses!@#$%! kicks all y'all's asses
Quote:
Originally Posted by demonrail666
The difference with Godard is that you don't have to share his politics to enjoy or at least appreciate his films - although it obviously helps and I do think his films declined the more explicitly political they became. There are obviously great political filmmakers though (Eisenstein? Pasolini? Bunuel? Fassbinder?) but above all else they were great filmmakers full stop. I like some of Isaac Julien's short independent stuff but when it comes to feature films I just don't think he has a clue. It's telling that after YSR he went straight back to the independent/gallery scene and hasn't tried to make a feature film since. Thank fuck.

maybe it's the way these people get funding. here if you want money from PBS you have to touch all these fucking "points" or whatever. ugh!
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