Thread: At The Drive-In
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Old 08.11.2008, 08:00 PM   #74
batreleaser
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Join Date: Nov 2007
Location: New York, NY
Posts: 5,155
batreleaser kicks all y'all's assesbatreleaser kicks all y'all's assesbatreleaser kicks all y'all's assesbatreleaser kicks all y'all's assesbatreleaser kicks all y'all's assesbatreleaser kicks all y'all's assesbatreleaser kicks all y'all's assesbatreleaser kicks all y'all's assesbatreleaser kicks all y'all's assesbatreleaser kicks all y'all's assesbatreleaser kicks all y'all's asses
Quote:
Originally Posted by acousticrock87
Omar has a natural sense for logical dissonance, can obviously write unique songs at a moment's notice (he claimed to have 17 solo albums sitting around his room fully mastered, and I believe him as he's released several of them over the last few years), and he has a unique perspective on how melody and texture should be conveyed (granted, it makes him seem like an ass). That's all on top of the technical part. As abrasive as his motives may be, it makes for real, passionate art.

He kind of reminds me of Dali. No matter how much of a bizarre self-centered ass he was, the guy could do just about anything, and he did it with style.

did you tear anything with that stretch??

im just kidding obviously, your cool, but a comparison between dali, the epitome of surrealist art, and omar, seems rather ludicrous, dont you think?
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