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Old 07.05.2006, 11:16 PM   #28
atari 2600
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atari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's assesatari 2600 kicks all y'all's asses
It's the same thing with most music. Songs are composed of a few sections. With Lightning Bolt, this formula is sonicly distilled into more readily apparent cycles of repetition, that's all. It's a disorienting, challenging sense of "melody" based on the few riffs of the song. The result is a visceral bombast, hence the references to the live shows. & the push of the homegrown cyberpunk dynamics are for real. They are put together with some discernable intelligence & sense of aesthetic. One can hear that they've arrived at their sound not by honing a craft, but by painstaking loving their art over time. There's no Nickelbacking here with some producer creating heaviness out of yesterday's poop.

But...consider that, say, Talking Heads, wrote lots of songs with only one chord & many of the are really, in actuality, far heavier & more intense (chuckle if you like) than anything Lightning Bolt will ever produce.
Two different ways of seeing the creativity expressed with a somewhat limited palette I suppose, based on taste, you might say. One probably hasn't heard the right Talking Heads if they disagree, but I'm not trying to make this a versus thread, especailly since they sound nothing alike.
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