so this exists
a side is morley applying loop-based destruction to 70s tropes -- decaying then mounting drones to atop cheeseball rhythms and riffs to nauseating effect. b side he takes on weightless happy go lucky new age 90s pop to...strange ends.
this is one of the most fucking nuts records I have ever heard. like a republic of sadness on crack -- all of that record's aesthetic palatability drained out and its total restraint completely relinquished leaving a deranged drunkard spewing whatever shit he can conjure onto the corpse of pop. incredible.