View Single Post
Old 03.10.2013, 10:58 AM   #16826
demonrail666
invito al cielo
 
demonrail666's Avatar
 
Join Date: Feb 2007
Posts: 18,509
demonrail666 kicks all y'all's assesdemonrail666 kicks all y'all's assesdemonrail666 kicks all y'all's assesdemonrail666 kicks all y'all's assesdemonrail666 kicks all y'all's assesdemonrail666 kicks all y'all's assesdemonrail666 kicks all y'all's assesdemonrail666 kicks all y'all's assesdemonrail666 kicks all y'all's assesdemonrail666 kicks all y'all's assesdemonrail666 kicks all y'all's asses
Quote:
Originally Posted by !@#$%!

cosmopolis

really, i think i get why so many people don't like it-- you have to be familiar with, or at least amenable to cronenberg's language, methods, obsessions. it pulls elements from things as far away as existenz and the italian machine (one of his early shorts) and dead ringers and crash...

it's "heavy" too-- it demands you think instead of just see--add some jazz drums and intertitles and it could be masculin-feminin (ha).

fantastic. extraordinary. i enjoyed it immensely. i want to watch it again right now.

I hate that film with a passion.

Quote:
Originally Posted by h8kurdt
K so I think one thing we all seem to agree on is Scorcese rules. So top 5 films by him?


1. Mean Streets
2. Taxi Driver
3. Goodfellas
4. Raging Bull
5. Colour of Money
demonrail666 is offline   |QUOTE AND REPLY|