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Old 02.14.2017, 10:22 AM   #20673
evollove
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Join Date: Aug 2006
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evollove kicks all y'all's assesevollove kicks all y'all's assesevollove kicks all y'all's assesevollove kicks all y'all's assesevollove kicks all y'all's assesevollove kicks all y'all's assesevollove kicks all y'all's assesevollove kicks all y'all's assesevollove kicks all y'all's assesevollove kicks all y'all's assesevollove kicks all y'all's asses
JACKIE - Not very good. Natalie Portman, who I usually like, annoyed me a lot by the end. Could've/should've gone a lot deeper.

MANCHESTER BY THE SEA - Basically a literary short story (although it's actually an original script). Little plot, jumbled timeline, elliptical ending. Casey is really, really is good in this.

MOONLIGHT - Touching, boring, beautiful. The beginning was great; I really felt I was in this Miami beach neighborhood. The Artiness of the thing was a drag, I thought.

HIDDEN FIGURES - Sappy, corny, sugary. But darn it. That ending really does grab the heartstrings.

FENCES - Filmed theater. Expertly crafted on every level. Very boring as a film; riveting as theater. I had to take an intermission.

ARRIVAL - About 90% of this is a great, potentially classic sci-fi film for those of us who generally don't like sci-fi. But there's about 10% that kind of annoyed me. Plus Amy Adams has an odd nose.
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