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Old 12.01.2020, 09:47 AM   #1
Screaming Skull
children of satan
 
Join Date: Mar 2006
Posts: 390
Screaming Skull kicks all y'all's assesScreaming Skull kicks all y'all's assesScreaming Skull kicks all y'all's assesScreaming Skull kicks all y'all's assesScreaming Skull kicks all y'all's assesScreaming Skull kicks all y'all's assesScreaming Skull kicks all y'all's assesScreaming Skull kicks all y'all's assesScreaming Skull kicks all y'all's assesScreaming Skull kicks all y'all's assesScreaming Skull kicks all y'all's asses
I've thought this for years and even posted about it here, but Elvis Costello sums it up quite beautifully...

I remember seeing PJ on The Tonight Show. She stood there with just a guitar and did “Rid of Me.” It was like seeing Howlin’ Wolf on Shindig! So great. And then I got the record [Rid of Me], and it was nowhere near as good, but it didn’t matter. For me, the record sounds like shit. That guy [Steve Albini] doesn’t know anything about production. He might be the second-worst producer of a great record after Jimmy Iovine, who totally fucked up [Bruce Springsteen’s] Darkness on the Edge of Town. It sounds like Bruce is in a fucking shoe box full of tissue paper.

https://pitchfork.com/features/5-10-...c-of-his-life/

When I want to listen to 'Rid of Me'-era PJH, I reach for '4-Track Demos' every single time.
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