Quote:
Originally Posted by demonrail666
Chung King Express does have sad cops etc but I maintain that it has a light centre. That's its genius and Wong Kar Wai seems to be one of the few directors capable of pulling it off. Kieslowski and Haneke can do the in your face miserable thing brilliantly, so it's never a problem. The issue isn't with heavy vs light but that some directors excel in certain areas but not others. Antonioni's no less a director cos he couldn't do slapstick, any more than Mack Sennet shouldn't be criticised cos he couldn't make L'avventura. Xavi's a genius but you wouldn't stick him in goal.
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right, but
in the mood for love is a fucking fantastic, gorgeous movie that needs nothing except a good screen and an audience.