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Originally Posted by HenryHill51
Saw this at a dilapitated art house theater when it was released in '94 and loved it. Ended up being one of my favs of that particular year. Probably because the sadistic mood of the film fit the grungy theater so well, but Ferrera's confused cross cutting between real life and film and how the performances affect their actual lives was well done. Watched it about a year ago and it definitely held up well.
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I think that's fair enough. I'm a fan but more in spirit. I like the
idea of Abel Ferrara far more than I do his actual films. If he were a band he'd be The Misfits.