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Originally Posted by rappard
Thanks for the link!
I disagree completely with Acidjack's
"But if you intend to record amplified rock, these internal mics will almost certainly distort."
That's certainly not my experience.
That said, good mics + bb trump internals every time, but for some people budget and convenience are more important. I'd love to be able to buy the kind of kit acidjack and nyctaper run, but I don't have $1000+ lying around. And even if I did, buying taping gear wouldn't be my first consideration - I'm Dutch, so naturally I'd spend it all on hookers and blow.
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the "ts" folks are all about the "more complicated your gear, the more important you are in the process" thus there are zillions of dollars being used recording simple singer/songwriter stuff and jam bands.
I've had good luck with the d50 internal mics, as does Weasel Walter, if he's still posting stuff out there.....and I think your and hbj's work with the r9 and m10 are just wonderful. I certainly can see the idea of setting up quickly and forgetting your gear to be able to listen to the show without worrying about wires and batteries. The main reason I don't use the d50 internals more is that I can't set the unit down most scuzzy places I go to and not get it stolen.
