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Originally Posted by ThePits
Intellectual property protection, conventional security for gigs, and a smaller company that designs and builds front of stage barriers for tours
We cover on average around 250 shows per year
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I can see where you're coming from by the sound of what you do, even though I totally don't understand why the majority of bands that would pay someone to defend their intellectual property, have nothing or very little to protect in the first place. Still, it is a legitimate profession in that it exists. It would be a slightly better world if it didn't, but it does exist as a matter of fact. What sort of bands do you work for, if talking about them on an internet messageboard doesn't violate professional discretion?