Accattone
I've probably already given my views about this elsewhere on the thread, as I tend to watch it quite a lot. It's increasingly becoming the film I go to first when I feel like wallowing in that whole romanticised low-life thing for a bit. It's pure cultural tourism on my part, and highly dubious if I reflect on it but, whether it's Accattone, Mean Streets (which is really Accattone's American equivalent) or some uber deadbeat Paul Morrissey movie, I just can't help myself.
And Franco Citti really did have one of the best, most beautiful faces in all of cinema.
It's a shame that so many people only know Pasolini through Salo - a film that I really don't like at all.