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Originally Posted by Glice
Well, if I could've found something on them then the answer would've been 'it's to do with patristic dogmatic apophatic theology refracted through post-Nietzschian truth values in Swans 'Beautiful Child' - viz, essentially, their rendering of Abraham/ Ibrahim is non-denominational and a non-affirmative, and 'authentically' postmodern (unlike Cave's Christic narratology). I think I might be wrong about this though - their Abraham is pretty much indistinguishable from the Abraham of Kierkegaard's fear and trembling.'
As it stands, the answer is probably more like 'I think they're pretty neat'.
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Are my taxes paying for this?