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I know that if a venue has bad sound then there's nothing you can do about it (except not play there, obviously), but there's plenty of time to iron out things like vocal levels in the soundcheck. And the sound guy was the same at Paris and London (I think - unless the guy I'm thinking of wasn't actually doing sound but was just a roadie), so he wasn't in-house. I didn't recognise the guy that I'm thinking of as Aaron Mullen though, and I thought he was the sound supremo.
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