Quote:
Originally Posted by atsonicpark
aLSO..
Try getting a simple, short sample (like a snare hit or beep.) Add about a minute of slience after it. (I did this in cool edit pro, but anything might work if you set it up right.) Then, Add some echo. Try a setting like the cool edit pro "Drain Pipe" one. Now here's the trick: Put the decay at %100, so it never fades out. It will keep on adding and adding onto itself.. It will make some really insane LOUD noise before it completely turns into white sound.
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I have used that technique before and it can work wonders on a good day.Christian Marclay made some really good stuff with it.