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Old 02.21.2008, 01:11 AM   #12
uhler
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Join Date: Nov 2007
Location: Brooklyn
Posts: 3,615
uhler kicks all y'all's assesuhler kicks all y'all's assesuhler kicks all y'all's assesuhler kicks all y'all's assesuhler kicks all y'all's assesuhler kicks all y'all's assesuhler kicks all y'all's assesuhler kicks all y'all's assesuhler kicks all y'all's assesuhler kicks all y'all's assesuhler kicks all y'all's asses
"...Every day they vowed to play faster. And they did, eventually developing a blur that could verge on experimental noise. Finally they burned as fast as they could, and realizing that was the case, they stopped. It was 1984. The rest of the story is well known: DINOSAUR, THE OUTPATIENTS, SEBADOH, GOBBLEHOOF, etc. Most of what Deep Wound recorded is on this disk, and it still sounds pretty choice the hundredth time through (believe me, I know). Like many of their suburban kith, there are huge swathes of Xeroxed style and content, but these patches are obliterated by an underlying fascination with the reckless potential of absolute speed, and an intellectual overlay (albeit in a nascent state) that would blossom more fully in the bands that would follow. But y'know, Hardcore was a really fucking good scene. And Deep Wound were a really fucking good Hardcore band. Living in this society has left a DEEP WOUND. Get used to it."-Byron Coley
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