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Ask him about
how he moves from different music to other kind so fast and how he finds out about such good bands?
If he is not allowed to have any of his records in his house (according to the 2004 spin article) when and where does he listen to his records?
How often does he talk to or see Mike Watt?
How about Raymond Pettibon?
or especially Rollins? Yeah, when is the last time he seen and had a good conversation with Henry Rollins? (im not even kidding i really want to know)
Does he think about how diverse the music he has written is? Like does he ever think about how "Society is a Hole" compare to like "The Neautral"?
more are coming
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