View Single Post
Old 09.02.2017, 10:25 AM   #10
Severian
invito al cielo
 
Severian's Avatar
 
Join Date: Feb 2012
Posts: 11,741
Severian kicks all y'all's assesSeverian kicks all y'all's assesSeverian kicks all y'all's assesSeverian kicks all y'all's assesSeverian kicks all y'all's assesSeverian kicks all y'all's assesSeverian kicks all y'all's assesSeverian kicks all y'all's assesSeverian kicks all y'all's assesSeverian kicks all y'all's assesSeverian kicks all y'all's asses
Quote:
Originally Posted by SYRFox
Basically this. I'm really glad to see less negative reviews tbh. Always thought a music review was much more interesting if you consider it as a way to describe a way you can get into a record, explaining some codes/keys, rather than just stating something is good or bad

I don't know if there's any systematic way to really review music "well." It's been bugging me forever.
To score or not to score? To provide a recommendation, or simply describe and detail? I really don't know what's best, but I think that even though numerical values tend to lead to more skimming and less thorough reading, I think ditching them altogether would decrease readership even more. Maybe that's ok? Maybe music criticism should either die off, or take on the shape of feature writing, telling a kind of story of an album based on the tangible facts (where and how it was recorded, what the songs are called, who plays what where, etc.) -- a story fleshed out by the writer's impression of what the intention is, what the music sounds like, and so on.

I don't know. Really. When I hear an album and it blows me away, I want to read positive reviews of it. I'm human, and there's no shaking the confirmation bias. When I really hate an album (which I probably wouldn't unless it's a beloved artist going totally off the rails, or something that I dislike that's just being jammed relentlessly it into my skull by radio or whatever), I want to read about how shitty the album is. That's rarely the case though. Most albums are neither AMAZING nor so unbelievably fucking terrible that I would derive pleasure from someone cutting it to shreds. It's usually just a non-thing. Most music is just whatever.
So I have no clue what my ideal system would be, but I guess I'm glad there are positive and negative reviews, if only because I can't think of a better way to systematically evaluate music when 80% of it doesn't even warrant being evaluated.

I think it might work to have numberless reviews, but to still somehow designate some of the albums as "Notable" or "Must-hear," or whatever. I don't think a " or notable" or "must not hear" equivalent would be necessary at all.

I'm just blabbering because when I've always been interested in writing about music, but goddamn... I wouldn't actually WANT to using any of the major publications' rubrics for doing so. So it makes me wonder about what I would like to do, or see more of.
Severian is offline   |QUOTE AND REPLY|