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Old 05.13.2009, 05:40 PM   #57
ni'k
invito al cielo
 
Join Date: Aug 2006
Posts: 3,360
ni'k kicks all y'all's assesni'k kicks all y'all's assesni'k kicks all y'all's assesni'k kicks all y'all's assesni'k kicks all y'all's assesni'k kicks all y'all's assesni'k kicks all y'all's assesni'k kicks all y'all's assesni'k kicks all y'all's assesni'k kicks all y'all's assesni'k kicks all y'all's asses
what is lacking in todays music is its ability to challenge the dominant ideology or provide any new form of transgression that doesn't lead to hedonistic self destruction thus destroying any revolutionary or emancipatory potential.

very little music is able to go beyond sucking off the dead guts of a past or imagined counter culture. people pretend there is still something somehow credible about outdated punk/noise/art moves.

the claim that the 90's bands killed off hair metal and flamboyance and indulgence is only partly true. people like thurston moore just ressurected it in the form of spewing out noise releases that are the postmodern equivalent of the indulgence of 80's fretwanking guitar solo metal or 70's prog flamboyance.

that entire argument or the word "internet".

we are locked into a nostalgia for a time when the cd/lp/cs artifact could still function as a portal to new undiscovered culture. now it really can't because it's been made obsolete by the computer which works as a musical object with infinitely editable cover art/liner notes/songs/videos.
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