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Morvern Callar (Lynne Ramsay, 2002)
Wow, there's something reassuring at seeing a fellow Scot make such a complex mood piece. Every shot feels so full of depth and warm but never goes out of its way to present itself as such. The plot is illogical but that's so beyond the point of what it achieves, especially when you're dealing with characters who exist through their emotions than their mind. It's perhaps impenetrable in certain aspects but I liked that.
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