The problem I'd have with a 'global master' for a compilation is that I really think tracks should be as loud as the person making it wants them to be. 'Loudness', in itself, isn't important; dynamics are. Or, to put it another way, I don't want any cunt fucking about with my music.
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Quote:
Originally Posted by Savage Clone
Last time I was in Chicago I spent an hour in a Nazi submarine with a banjo player.
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