MAARS is a great example and emphasises the problem a lot of dance acts have had in gaining any real recognition as a result of never really excelling in the album stakes and elevating those that have (The Prodigy, Orbital, Fatboy Slim) way beyond their actual merits. There are countless dance music producers that've been quietly churning out great things for years now and can sell out most mega clubs just with their name but who are likely to end up as little more than a footnote in pop's 'official' history simply because they never made a great album. I mean
this is surely as important a piece of 90s mainstream music as anything else.