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I also agree. I've never liked any of his films completely. The closest I've got is probably with Suspiria and Deep Red. I dunno, he seems so preoccupied with style that, as murmur says, they tend to be quite dull in patches; as though the narrative's only real function is as a means of connecting a string of different set-pieces.
A bit of trivia about Inferno you may already know is that the film's underwater room scene (probably its most memorable) was actually done by Mario Bava, on Argento's request.
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