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Old 12.14.2018, 09:05 PM   #51475
Dr. Eugene Felikson
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Dr. Eugene Felikson kicks all y'all's assesDr. Eugene Felikson kicks all y'all's assesDr. Eugene Felikson kicks all y'all's assesDr. Eugene Felikson kicks all y'all's assesDr. Eugene Felikson kicks all y'all's assesDr. Eugene Felikson kicks all y'all's assesDr. Eugene Felikson kicks all y'all's assesDr. Eugene Felikson kicks all y'all's assesDr. Eugene Felikson kicks all y'all's assesDr. Eugene Felikson kicks all y'all's assesDr. Eugene Felikson kicks all y'all's asses
Quote:
Originally Posted by Antagon
Daughters - You Won't Get What You Want

 



I find this one to be massively overrated. Atmospherically it seems like it might go somewhere every now and then, but it's bogged down by the terribly one note vocal delivery. There also isn't much in the way of cohesion, it all works - but there's never a point that really clicked with me. All of the tracks just kind of drift along on their own. Their reverence of SWANS is quite evident on "Satan In The Wait" and "The Reason They Hate Me", which is much appreciated, because they at least seem offer some interesting melodical stylings for a change. I feel like there's some good in there, but as a whole I just don't enjoy it that much.


It's a solid release, and an interesting turn of style for the band. I find Hell Songs and Canada Songs more dynamic and chaotic overall, back then the band was more on par w/ dudes like Dillinger Escape Plan or AIDS Wolf. With that in mind, I'd argue that YWGWYW is actually their most cohesive overall so I understand the hype.


I saw Daughters live w/ the Locust and Cattle Decapitation as a younger lad, and the singer accidentally spit into my mouth. What a lucky boy I was.
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