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Old 01.25.2010, 03:03 PM   #5
Dead-Air
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Join Date: Dec 2006
Location: Portland OR
Posts: 4,300
Dead-Air kicks all y'all's assesDead-Air kicks all y'all's assesDead-Air kicks all y'all's assesDead-Air kicks all y'all's assesDead-Air kicks all y'all's assesDead-Air kicks all y'all's assesDead-Air kicks all y'all's assesDead-Air kicks all y'all's assesDead-Air kicks all y'all's assesDead-Air kicks all y'all's assesDead-Air kicks all y'all's asses
Quote:
Originally Posted by the ikara cult
ELO!? WTF?!

Ha ha. I knew that was coming.

I had an "apprentice" (dj in training with the station) who was this sweet 18 year old girl who thought Radiohead were "experimental music". I did stop her from playing a song off of Dark Side of the Moon, but the MGMT slipped by before I could prevent it, and the fact my wife used to strip to them made it somehow ironically o.k. for me.

As for the ELO, she said that something I was playing, I think actually the Phillipe Petit right before it, reminded her of that track, and when it started, I could actually see it. Not their typical song, though it did melt into their sound, and we faded it then.

I kind of enjoyed having my show pushed one notch closer to commercial for a week and it will probably be the same next week as I have another session with her. I don't usually play stuff like The Flaming Lips and Radiohead much at all, but I do believe that there can be "gateway drug" music for some people, and I'm always up for the opportunity to be a corrupting influence. Keeps my show fresh to not even know myself what's going to happen for sure, too.
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