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Originally Posted by greenlight
you know what, I was in love with CIS and BMR straight away after first hearing which is strange, as I was very young and I was just starting opening my ears to a "different" music back then. till then it was mostly nice "melodic stuff". I remember it very clearly. walking in the winter, lots of snow, just a street lights. I had CIS on one side of the tape and on other BMR, blown away by that albums. I was listening to them albums non-stop for few days alright. Sonic Death was really challenging for me, that was few days after I heard CIS and BMR. could not digest them live outtakes easily.
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I can actually buy that, because I responded that way to similarly abrasive, experimental music straight away. Just not these particular albums.
I think BMR was hibesltt a little weirder because it starts with a glorious melody and then a downright anthemic bass groove, but then folds in on itself and chucks any semblance of accessibility out the window and makes you dig through the brush to find it.
CIS/KYI is kind of a headfuck all over, so somehow less confusing than an album that starts with major chords and then dips intro sludge.
Anyway I really love BMR. And CIS.