What I was kinda hoping was that the statement of INLAND EMPIRE being Mulholland Drive's 'evil twin' would nurture my needs
The thing with MD to me was I really liked the first hour and a half but wasn't satisfied with the last half hour glued to the rest, like Lynch was explaining dreams like Freud would. I was hoping that IE would just intertwine with scenes / rooms / dreams and no explanations - I don't mind an absurd maelstrom. I see his films, as do some critics as well, as a canvas of moving paintings (as Lynch own earliest paintings).
Then again I think being into making videos and bending my own ideas into images myself can preoccupie ones mind while watching his movies.
We'll see how it turns out