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Old 03.26.2014, 01:41 PM   #305
louder
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louder kicks all y'all's asseslouder kicks all y'all's asseslouder kicks all y'all's asseslouder kicks all y'all's asseslouder kicks all y'all's asseslouder kicks all y'all's asseslouder kicks all y'all's asseslouder kicks all y'all's asseslouder kicks all y'all's asseslouder kicks all y'all's asseslouder kicks all y'all's asses
you guys should read the rest of the article though.

Quote:
“We’re about to sell an album like nobody else sold it before,” says Robert “RZA” Diggs, the first Wu-Tang member to speak on record about Once Upon A Time In Shaolin, in an exclusive interview with FORBES. “We’re about to put out a piece of art like nobody else has done in the history of [modern] music. We’re making a single-sale collector’s item. This is like somebody having the scepter of an Egyptian king.”

Wu-Tang’s aim is to use the album as a springboard for the reconsideration of music as art, hoping the approach will help restore it to a place alongside great visual works–and create a shift in the music business, not to mention earn some cash, in the process. The one-of-a-kind launch will be a separate endeavor from the group’s 20th anniversary album, A Better Tomorrow, which is set for a standard commercial release this summer.

According to RZA and the album’s main producer Tarik “Cilvaringz” Azzougarh, a Morocco-based part of Wu-Tang’s extended family, the plan is to first take Once Upon A Time In Shaolin on a “tour” through museums, galleries, festivals and the like. Just like a high-profile exhibit at a major institution, there will be a cost to attend, likely in the $30-$50 range.

Visitors will go through heavy security to ensure that recording devices aren’t smuggled in; as an extra precaution, they’ll likely have to listen to the 128-minute album’s 31 songs on headphones provided by the venue. As Cilvaringz puts it: “One leak of this thing nullifies the entire concept.”

Though no exhibition dates have been finalized, Cilvaringz says Wu-Tang has been in discussions with a bevy of possible locations, including the Tate Modern (a representative from the institution did not respond to a request for comment). Other venues, including art galleries and listening tents at music festivals, could eventually round out the tour.
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