BODY/HEAD (Kim Gordon, Bill Nace) play Union Pool, Brooklyn 1/26/13
 

Tickets:
http://www.brownpapertickets.com/event/309285

I stopped at Feeding Tube last night to source the new album, they were closed at 6:30 pm. waaah. It was about 60 miles out of my way...

Tickets still on sale! They usually keep to a tight schedule here to finish up by 12. I wonder if they still have the bonfire going out back, its been a while since I've been to this venue.

I went to the show Thurston played there in December and I went in the back entrance with him and I saw no bonfire.

Bummer, the bonfire was very distinctive. The last time I saw a gig there when I came though the front bar all these hipsters were fucking dancing to the dj.

I would have liked to go to the show Lee and Steve played there on August 30th but due to a commitment I made to my friend's band (who was also playing a show that night in Manhattan), I could not. Maybe the bonfire was still there at that time.

Any photo, video, live sound?? or better, any news like LP? I would like to watch or listen what they have made (body/head), in a good audio not so short like general on youtube.

Good set last night, Bill was just ripping and Kim was highly focused between singing and playing gtr. I believe the proper analogy is when Lydon left the Sex Pistols and formed PiL, BH is that radical and substantial a change forward from SY. I just love the shrill guitar action, the unpredicted structure, and Kim's voice is a long comforting and familiar friend. I didn't get onto the merch line after, but in addition to the new record and a very limited Nace lp, they had some tshirts and bags with the album cover on it.

No bonfire, maybe when the weather gets better, but they did put a fair a/c system in the performance area which is good.

[edit] I forgot to mention the film in the background, which in parts featured an enormous unmoving head, then it would suddenly and slowly blink and move to look away, another part had this girl moving very lowly while Kim and Bill raised a vicious squall of feedback in rhythm to the film subject' movement - kind of trippy - Kim's voice was mixed prominently in the mix and is strong on the recording.