![]() |
One of a few directors who knows how to use visual media to his advantage.
He confronts us with horrors of the real kind. Parasites, body horror, the flesh etc. I love the way he uses prosthetics in his films. Hyperrealistic and gory to the last detail. ![]() Long live the New Flesh (1986) is a very insightful documentary to look out for, if you're into Cronenberg. |
But funny too. No one's mentioned his absurdist sense of humor
He usually has no idea how to end his films. That's probably why a lot of people think the whole films suck, because their last memory is of the shoddy ending. They always feel rushed and chaotic, while he's usually controlled. I like Cronenberg. I want to make that clear. BUT, he ain't the deepest guy in the world. His interviews are often more intellectually engaging than the films. A few poeple have mentioned his ideas and how he films the unfilmable (just like I'm typing the untypable?) but really, what are they? The ideas for the films can usually be summed up in a sentence or two, which leads me to think that they're shallow. But he's compulsively watchable. Don't know what it is, but I'm always drawn into his worlds and want to return to them. And hey, I liked existenz. |
Quote:
Naked Lunch was also one of the ones that took me a while to appreciate, but you get dragged into this strange world that has bits of Burroughs and bits of Cronenberg together. |
he liked burroughs a lot i think.
|
Yeah, I think Burroughs influence really shines in his movies.
|
Quote:
Certainly. I tend to be this way with many things that are supposedly similar. Music, for example...I'm quite indifferent to The Melvins but absolutely love proteges Boris. *Hmmm wait a minute... maybe I have some kind of hidden affection for the Japanese.* This thread is helping to exorcise some of my secret fetishes it would seem. |
the reason eastern promises and history of violence were so great is because cronenberg directed them, a lot of crime films these days are watered down, dull, the same shit over and over again. guys like miike and cronenberg however are like fuck that, the life of crime is a dark and uigly existence, theres nothing fun about it, its fucked up, gross at times, and ultimately very very horrible. guys who work in organized crime are ultimately sociopathic, bad, people. and thats what cronenberg did with those two films.
|
Quote:
yes. and "jimmy" was trying to get away from it. by the way, the opening scene in history of violence, which people tend to forget in favor of the quasi-rape sex scene, is fucking awesome. in the dvd extras he shows how they shot it. brilliant. |
like a said, the angry sex scene is not really because "woah!! fucking!!! i wanna see some tits!!!", it's because it really captures their relationship at the moment, how she's mad as fuck and scared of him but she can't deny that she has loved him all the time; while he is a fucking psycho desperately longing for normal life, which results in marital sex that crosses the line into the fringe.
|
yeah, that sex scene is one of the greatest ever, and perfectly executed by the actors. viggo mortensen is too damn good. sooner or later hell be regarded up there with the daniel day lewieses and the clooneys and the other great actors of today. in fact, in a leading role, i think hes ONLY second to ddl.
|
i mean, for current actors.
|
His films are about 70% psychology and 30% plot, that's why they're so good.
|
Sorry to bump this thread but I noticed a bunch of Cronenberg DVDs going for real cheap on play.com.
I need to ask, what's better, The Brood or A History of Violence? |
they're both two of his lesser works so either way.
|
I'm edging more to A History of Violence since I've not really delved into his later works (his latest work I've seen is Crash and that was 1996).
|
yeah get that. the brood has a good atmosphere but ... again .. kind of a lesser work.
|
wow, nice thread. finally.
Quote:
I understand you, bro. diaderusu. here's how I roll with directors: George A. Romero David Lynch John Carpenter David Cronenberg They've all changed cinema with their own unique perspective. As far as I know they also respect each other's work which seems pretty cool to me. I once asked George Romero what he thought about Lynch and he told me he totally loved all of his works. Both Carpenter and Cronenbergs brought something from Romero's style (but who didn't, since that faithful night in 1968?)... a list of my faves: THE DEAD ZONE, SCANNERS, NAKED LUNCH (Cronenberg) MULLHOLLAND DR, LOST HIGHWAY, BLUE VELVET (Lynch) THEY LIVE, PRINCE OF DARKNESS, IN THE MOUTH OF MADNESS (Carpenter) The DEAD Quadrilogy (haven't seen DIARY yet, for fuck's sake fucking Italy!!!) MONKEY SHINES, MARTIN, THE CRAZIES (Romero) all of their stuff pretty much rocks anyway. lovin' em... |
Quote:
NO buy the brood-- it's hard to find, but you can rent history of violence in any fucking blockbuster the brood was awesome, a seminal work-- made before the mainstream breaks of scanners & the fly, with almost zero money, unknown canadian actors, low production values, but a fucking insane plot and brilliant execution with limited means-- a real accomplishment-- one of the greatest b movies ever. buy the brood. and buy rabid. and buy that tape that has some tv shows and "the italian macine"-- hard to find and if you ever wanna make movies a greater inspiration than things done on a megabudget. |
i just saw history of violence. i agree with EN incredibly meh. just wasnt that interesting
|
how is the brood hard to find? i bet i can check amazon.com now and get it for a dollar.
|
Quote:
good for you get me one wait it's $10.49 o well. DVD? i saw it on vhs i think. anyway, good. but yeah you can get anything on amazon these days but good luck finding the brood at yr local walmart. |
and well here's everything no?
http://www.amazon.com/s?ie=UTF8&sear...d%20Cronenberg i'd start w/ rabid. just cos i like the chronological approach. from that list i'd get the directors series also, the shorts collection, shivers, and i had never seen or heard of fast company, i'd check that out too. resurrection? ?? anyway good stuff all. |
I did find the Brood at walmart in the $4.50 bin about 2 years ago.
It's released by a major movie studio; it's not hard to find in the least. |
cronenberg and howard shore are doing an opera version of the fly
|
Long Live The New Flesh
|
Okay bump time, must explain some of my ideas since I've seen a few more Cronenberg movies.
Rabid: Awful acting, dull execution. I feel that I should like it, as it has everything in a movie that I like. I did really enjoy how it had more variety than Shivers (considering that movie is essentially only set in a hotel) and I also really enjoyed the real fucked up atmosphere of it. Marilyn Chambers' character is nuts, the way she feeds on these people with no real remorse or reconsideration. Definitely the worst Cronenberg I've seen but I wouldn't label it as bad. Eastern Promises: I, too, went into watching this thinking it'd be lame, but I was certainly surprised. No really interesting visuals, but the acting and the script were superb. My favourite scene was definitely the shower scene, oh and the superb plot twist, I would never have guessed it. I think I should watch it again and see if Cronenberg throws any subtle hints out that he's an undercover agent. Definitely the best newer Cronenberg I've seen (though I've admittedly not seen many newer works). Crash: His second best behind Videodrome on my list. The atmosphere displayed while they're racing up the highway is breathtaking. Howard Shore's soundtrack really does add to this, possibly my favourite film soundtrack. The way that these characters seem completely alien to the rest of the human race is interesting, in how the movie rejects any sort of relatable emotion. If you don't walk away from this movie feeling some unknown emotion that you can't explain then something is not right with you. I'll write some thoughts up on some of his other movies later, not that any of you care haha. |
Just saw A History of Violence. Fucking A+!
|
Quote:
i liked eastern promises more than HOV maybe, but anyway, awesome, huh? congrats. oh i saw eastern promises in a theatre not a dvd thats a big difference. rabid was great, cmon, for the money spent you realize you can make maybe 1000 rabids with the budget for shit like those jenifer aniston dog movies, right? |
I've seen the last 3 Cronenberg films in theaters.
1. Videodrome 2. Dead Zone 3. Crash 4. Dead Ringers 5. Shivers 6. Naked Lunch 7. History of Violence 8. Scanners 9. The Brood 10. The Fly 11. Rabid 12. M. Butterfly 13. Existenz 14. Eastern Promises 15. Spider 16. Fast Company Long live the new flesh doc: http://www.youtube.com/watch?v=K_6-ooJA1hk |
Quote:
And I've actually been meaning to watch Rabid again. I think I just didn't like it because of the time and place that I watched it in. |
rabid kicks dick! Great film.
|
Hey, Existenz moved up A WHOLE TWO places in your ranking list! I love that film.
|
Rice gun.
|
And yeah my list changed a lot after going on a marathon Cronenberg session a while back, showing my friend all of his movies over the course of like 3 weeks.
|
Cronenberg movies I have not seen yet:
M. Butterfly Spider Fast Company so i guess it's just the poopy ones i'm missing! |
Haha. Yeah, that's about right.
I am pretty sure that his super early shorts are on youtube. |
yeah they are haha.
I don't OWN all of them though. I'd like to own his whole filmography actually. |
crash is fucking amazing. i can't describe that movie. it is insanely uncomfortable. and thats what makes it interesting.
|
I just watched the Brood last night with my friend. He watches horror all the time and almost had to leave at the birthing scene.
I'd say his movies fuck with your head more than anything. Dead Ringers, Videodrome, and The Brood were good in that way Scanners didn't fuck with my head so much as it was just a cool movie The thing that really got me was in Dead Ringers where he has the instruments made |
I watched The Brood last night also aha. Good shit.
|
All times are GMT -5. The time now is 10:31 AM. |
Powered by vBulletin Version 3.5.4
Copyright ©2000 - 2025, Jelsoft Enterprises Ltd.
All content ©2006 Sonic Youth